C+rۤj"ukkuj[OuhaH0]ov řqXe'g}s^4+X,y,<~XovwamojZT-OOSfk3tzEl 7mVɠqjnU!oVZ[O?-tWVP[nK~omt!TqpNп|_5-R+7҆n rԑ⯜Q%ՉAɺlW]7x2Zf\!sC*{UVX$ڶ[jk )۬.AL77tNھ%)$^Ռ'-]W o 5-a]=zl$Ϟ%a2?6r||% W[Nsqg{umP7&[=ܱ7aྃ|rIdzmls9Y39🾗w?;IsHC1$wõ=h/o8n3pw4 m8}}ІٳN\>6?0]rT՗/x~(=}g|y*؇A~&տsd:/?^$ǯd s>7A~4''=Y)Ju/98OnoI;x54 rx>xZ%[$i$V+E\˴4ͼ6Nؙ3{5>Nw m~ǯ˯*OVO\˪W?^Y[tZWkk/oށvӟϼy Ռћ$mΦ_62)%'{Yh xZL~~ s`Alr_[:Wo9;蔌mT<|mz;kEMF:>~WamV4u%ٙ_V}TΨf撇ɵ#/篘\s vƵz=}mq䇫*7ݫWK~A{QmٳLׯ;~Kop}o'(76zT>7םu$rv󋌠N3rI noQ}cäWu;y}x5+ c:\___8/?pͱWRuxWJ;6ȇچ\U'h&LgoN¸޿_l;N~ԣr EJ^ݤ7̝{vn*Ʊf'n=mAf3 {Kpgx'U;U? Ϟn=>2KN$HjXsY=*dzX}WfJǯw7;d`wx}`;κsv\ne9yc჏8ѮsZn獷?M\% >Yz0Qݳg;DrmVVU0Yy'6M UTtÃ̡9wݟkz:~pg{o>ԷY6F9_~/n}|]L!3_X Ӵm?7,0ˠz}S~(=qxt g;Or/e6yvGn~s ,yy8ԷL_9~ s΁g_OVzЀ6sIPdtI+~~apv 5{v۝}s%hfx[L͝s_5{wwa᎟AQ~T_пΤ@ ZWA2hpuTLm]Uco&d -4(v|w\blFo 5.LV5}~vCdyϾ &͏~~45WRsxm߸V*^Xn90xArgmV~cOV 箼ͽ6vR0FÇo r=^ GiwOyej7ͼaN'·I:iW˴Nr-%gnPg:~Q>)jGCÙw|Sp~wT%(7=oAvzsԜT~Űvѧ_ 'IS/g6h@OI77J(].Iqt`RbM3Ayu?S*O ӛnmO:7Cޣ_痮]GaQj}Ǩ~sn',w3Qu[4];vގ0ͥ 96?>eWyIƸv~ؘ{{Ue73?M3.^3jd{59*okyh;RzN~$vl'wv6vr[P:Uon:xŤ_94[9/ؓ_j;Ѝ՜UE~,l~  _o˧s4mogRJ~**xyɃN@l?Ϟ3姗{/nwZoAϿ|vh$?q~#~wqIx"uU>mJ3/d0^+OSwqGyL٧Jr$4~_WN2]||E޶qx{F~[/ئJԛ+ 7t}P浩WuQ{?/oxܨlL'5oFSASC~b%]|2p?N޳Oӟ~R>{ۿ}Q _<O;}={[~41vjTGiuESN8~wMF>\>M"AtCÆ[^~of{/߼39?| }:zn׿Ca$~AɀM/E^ ,Oq95okQ b+Z^q}\N;_;*P8wO?cܓۙ?}}9IctSpz Fy]7`6&]mCՃCw}3򹠟ݖ1puk%}㦁=HO3orbw;;Iomlu*_G`۟aj6$I|%n}ؔF/g)ןos.o'ַ$Ƈ:Ugz6t-hF`͸v~i$;ʤ~gdh7ec|s*#~T_4fb޽ jIp|d09m7Ѡ_cZ5,QƟ*7.Hћ{\h7ay8̟ӯRW' П'A"`17ce~?~#?L{&!M7'dc&7¿w<s^<?|ld|S;YcM~jF*(A{E75k.&E8?hNm~Փ|76èA淭J|m~HxZx6߿/;ڭ_'}Ww;jwD9ポz}.g7ʺ~8Y+ofO{۳z*]3_7ٚV6^T)CnWw?OJGkI2Z9ɞXٓ_w>{v>?>Un;~m&)qm̾:^U־YGӝGgggidU_7ŕ㗜wWRoDmԺzuR^^=S9J}}tv!|y{zzv*S!snjɫᡵewE/VVDzJ[9ngg7ﯛlΪM+jv3˾})'bykoO/ suUN[E3+Jwcxv=߿Nl_NVV\rfZ{GWB%]rjnoKbٙz;~~kG~|Wz{~YrrǽZUo}vwoͳ3̩j'uQ_wkϟ:ﳧ篒Ǎݫޫ—z拷VΞbS=3 VO ^IVWrˇ'W+v+Ƶo[ULc[Sy=$*'U]走{ʺkoOi滳gۯ7_m\_:i/]w라fi/+욫Q%'5_\ys]8v~|toNkGbV^hGޕSwwo>nNuWo^E+f[N~V}?||t%0R=}rvؖo⛃f f{ߌR=9rwO%uUV?~]7{kWjRv\ٳŽ>:V|+'ٳ}煒wp|-_nmΞ+5v[g'6߼tͻoFI|~9SZz^S}+yקk$o6'kD}uBvu\^:%z]Wʛggܤ؟\t7u1q}gm*磌'V<>(߬~?յϟE-쥟%+ty[J8G'Wޛ篏O'EoдT۔+ou*}R2kiU+/(s䝝mΛi㒺}sPy,^>)vu}a]*gg{Κ;;/kwjowUhڮu)?>vVίןfg5ղwk{C_Ӵ7o[96*V?T9]Ͼqޟ=[ѴdBNIzNN[J%ޯkҧ݃Wzk:NZ917K/l48zf@1k΋Z˫ޫgۯB9>O]Uܒ&O_*j糐\ ηno{[?~zST٫gS{7΃ʫj*+E*|}gn {c/#or]?.yq"}k*;G߽l:syB8:_InٕU~q熗4>`y,U?ٳuf;&wfiөT{VvvEvuxi|I~^?^WoYOJi]~~cEݾSo5իο%Dzҟz۝ՏzX}#VVVg<(M-}d/idoWǻk_9R|Ws˚7﷝'lW\jXNl_Hgg̿nc7}ΫݗVʯKh:ez~ve=m^m_9+:^9zJ}Y3~(XryqS%uEzߒʗD/{W+ӣ7WYkιw,~j,/>vRŋͬÝӃW~|yѭ}W˯Գgu_yw|Kzg st^ٳoҡegxWU]rRqvJ=ܹ՗J\=)K7UZOjJ:o~~Xv;enѾµVK{Ͳ_暓nV~e3_otGZ-M~zZYGjnS6Fӫ`Gtj]重#8 X;!|7d66^#pZNC79t.tѐnu4 L4OOB]a0ZLw-wSGeɗXќ#|cq9^0O?F?w+Ss*o~" W܌M&܆݄'{S0|t#;b7ߏ՜ya-ov[R1r=Wm&KSXשD~\`i2!'SӍQ3ia2>4?qqhd`&g>6[ƃ-NԃMͿ3{1]s}~ݥ8 9u`|K0A~" ֶVWE }4]vvg郼-q_t qzWz%a}Dqzbd&c2vlN~ =A]>7/3Zy0 K +N%LN]}rlJ_'Կ?3f7>9]jeg֒kX6=q.Gt 囅w*@wz0ib4={ϓ=0aW|ma{~4bRR:wPh. 7χwQSyZ J 6:Ch܃ca&U_ON6>T}E~xbw3<_oyNpCpӛ/K?_e|/N"o2oBx<uLQ<%iS7K,gBUعsSCS˘^}<5d]jj{3woS[2smLVMfF9cެ8 vOZn&v.{mS5'yq0owǹ8.p?ϿNPnk:_5dp35tti}MqP?yK(HS369Ġ^ }38q/[>/ MNJ<ZjP>f"xȍ6̮v3`]>EC*Y&~fo ػn7c{"c;zʨ",mKqL?U̚O窛x*os- R}z? @??0D_ S'{S?hA[z7spS(Fppo1|M+t'Z}w%Mcï}?uX[11vں_ӵg_-e+_N[A_Z~6qcr}dZrwF3Oo0Cr?9^SdN>88ߍw|8ad|8-rǙe"xUJ2.}iIѓ~|co7RɵḟCc\lpz`P^q~|-vA {xl+_7.x#ˍzwA.W1虝'qK=erӯӧ_G{X kỵrjXRS^3y_4}x݆{}yoF Y׹zTF>:{g"ߟ9yн;/A3~&?/G`#IO^{:.!}q}`^g|荿wL}h+%Npq ]Nn 62S//| _~ Gs׮];0&lmg6(m=ߟxv_Sho_rn_\*)?٥=K`7͚{e/i]2ug_?> _^__n_VXI{og >_~v¯/;w=eYWl}Z Yz?땫>p!L_huk/w֓' -)xܺe ][i o=a}M\w/QoYDky~Eܩ1eQRqIɣ qk%GU<]US{?5{߅e:^syY WeRvf'ECr\EӰlM=!ZN=8]x}J*Um(Vߒ(4GqI Vp; U4M'eF CߛuIgR hwEٹF^H O1iϿ:M\u<~1laXRהM%u`n)F0JKTVKlZqz|3<5ԬU;_0Zm4?-:1}Ue}d=WZeObTQY;Å\C ÃWHIN{~?z1{1.gg, }=[.-?K&c|F}ծmvjPbT6srM.ԢQ*ZwWk۫ztE ^wLs\,Z2*rԭ^O"g$@8:29F7@Ty8 ]`TKnmѻ1=l!yn{"|?b63- dDR cnA5{VԻ)ciwjRV7O EKU5|A -:CA7b: #G`?eX\U2-d@8O2$FfoB1B|/up\p5[3#F9X BN1~[+j[;DȪtfMG'NE0UF V/[gjuR b%bup)WH! c]nn3<0+lYN|3 Z,,ܔ>MRፐv%Qx" E,ipoYdYE^Kg9aBN`!$'lrcKtKM򬢥%=b1`v )۬.A#wP&قmDB\4lz a] VCwm\\jUW6T=Rh> ۲–Ez0yz˺+wJ9y[ʻbT,@ac鬦R' 5єzhXz_vd]`)XDdؽ( ltԴg k"v,ec>`\lj v/sfígZ3%$.e/ @))6keQ%C{)QŪ% b + WWsŭ'20Dh4؍ti:JIm[9çO?KPN?ij[aM9J nϹl˕J&VIv(@4eNS9fhϽc Gv]]S]sVq-ìą=2p_鷣I(,!$EXp=6bZVfj [(0Ub<]eVY Ƕ+ka}oE>R3  1*G#{̳Sǁh[“k :@ʽ[+eImB/vA6F5yX:)xTf0:uKX#LѸ" H.PI]Ex)=Ui"$"#qI8V}:Wew Wزi)]x~KmDIp`$(<+Wͯ03 –DnYI`Rht@' hK"d JDlGPөpg5XS1'e'u[,]pIP^H_?uK&㻦ckśBڪXn,v%ere`^ݝe/0`WlGؼq=ā1U]%(~6ŌDBB,0Ɩ@TUVqz^E1ZBy??3Inj"WRP{G_aj22|=H vZ횐Vۅr4SRJd4DPm*Z=ْDwBՋ&Y "pd`lGowdcYZۼuow[<|?/26m?G3Vڪ6u+t^?X J\8N(K%ڭnn%}Nk X!Mhuϴ^ձI4k;I,X_Uj&oX0+fWJۗvX 8JJmb:!UVQ6Ke a~G?ʿD N`׈jb|xה(fBz!7<uo/{46"n@D5. h OIUk9fֳr`@XjW.jYzJ6;b@(BH`<a1 DDXٝ>u1# ,CU__i>.@jiI R\2C@D>0T6Ysr//Q" F畊~a9)$  NAHBY,W6̘ \%?td>@Dl1z+*;)Q!RL ,6&AXB*Um(Ff2q0׿_"[]ol>1wqј^aq"P\@XmzU ņVgJ a^5ܺ„ b EۺOWP X4b,A_I-RzOb [F>t] г/v׵AZzFI%%E#%?$`!X xdpl0hLGVSw=!q-}aM.O@DNBM/$޾z]IpV.嬮銮8o7a^%޲r1Z_U[-˻+j˦Ӄ#,"yn"Hbv{e]T2|J -l'4- 7iC2!ݩQW?F7I XɼC4al1M Vά%zu.DG_ҥkҙ+Yrm5iZjl>H,aɮ?!L fM8uQ}\,{"3uzaj;D l>+?[\3c:1 DYB ,FDHs]{PX 0YZ-= ~ KM dH=`<4E& D9v٩Zɶ\v1(9k /X`??%,CX+mVKZG:fXJ.pBH}AmJnUIKRfjj{ SC; S2 S6oOX`=BP?=~kCOoLr D_GbgxUdR7 vM&EZX C}a +?"0v6Bݮ8>[#:c:RnZϧ͚Y˦ƘDXhzJ /=-cUkymł2 D&`Gk`ьipk;rEqe%& h6Nzh&YUKMH.XFo$@6` C,ZУ U_ oTsa@T݊Aux\Md1n:W |$ @d{KHSWDR{%JiܾHT񶲙t.a5ܬyT7d)c}XR^(- S7vnLʹオgRr-sT393[-3=%i诱eUy- DvuQ~ynf=A8+Jc#'̎@ˢ0FH :]vR xd)1(/D@&em-sX=rZynY4<+4c ZضjK^AbKmHjV˫fhL*⨉ Z^۵ DXױx¬fCxiA8̲uYFlY,Agskݮ( cFr[UΛNi-w/ Yu9Xmȗ[/yn|#%8B 6~E\Һ> `AHEٹF^H O1i]\(X^ǵ2(%!H=cMYCxl؈7s6߽ [BHDJ EQJggr ,+ H#64,x=bynŮi|w "hz}!ׁ-sFENoJ/lZ:.7ΨVgqaTZd[S2żaND]MVD"Gn ;Q"QWVm+HDѼji6= 6j]a"NJ u&~7 ϬątB"qNX6l-SwۃtowA߮ sKRL*i`I#mc R6{'e'u[S@dc{X4ujfn^.%Ij 8URL fM8uQ 7;rߨ ) S+|{S)ipfk۸LF"u'NTf%X2$ XLWe-]Ls^5h\VOK؝މ:+ sfF,N$Y{Y c 1laXRהM%uGRt4 ,V|6.+`ta1iK&jtmxՎoYnըW&`Jn!qe REj<Deڝ +tR,mR2-v0Bƪ8"lex`H3릯De.l@al@A @"wc{Umb1vm )۬.A#dU5q.hrC8~ ۛ>9a,5rNf?P^OiJ4ldt2NJ"$z]Sqv1~ {`L"*af3@4̭XB|VM"% OTGtieVnrN9BD4*z.* ??5E "g:Amf'=ڨKސo6bQD89/xFhBvM&X4x B9v5DMy 5] 6H2siďz?"`Um}LMwWgL+ 6^K+ {+?Q[͚gěc&FvZCX3 쨛&RjCң};H!@( *w Dwrٴ̈HRzAOkftvfz 'ҲD^sL;tK )";vgc *Rn/4*07&?Nf?[6|M% [잎̰,—RO^z3P#"jn:_Je74ږu wQYg\Y3:gبbiU@T= !~YOt&N b],$62bchηYDeъ6  N6C͉ԶDžƪ%@X\ao! ET7qA[ә<(G6CQxvq~ 6?Ħ3a"<~.Ө#R2)%UɨٌJTJOe2Q!S|.Q Wil0ۻǯ?}{.rtyPlW>WvѺd=*S]9DֈXxB]]GvK(h0Ł1=L,Syn_δ&!~Nlmix\ﵐ)ZrOIp6FExBX Deu<*1hKù|Bba݅!`\ݪwitzV+e TlHGA Ȓ(orHL#,?OICW& `Lj)5+BhXi/߈owgBUq6GF_V] |456iꆭǦ ]$KQ)RY-]hIfǿRT@Yy@K*7i\@d%b V[l(פŲ-6,)8#EN" LV:.)p8WaQW!txVNM-+o:Ek5J:Y^(Uݞ#=@kZ+8>j{7n?+h&*QElвnQBX'Orj).L7gEaKaCmȠ*ZY!!H6F$X)3F#UhzA8lЅNǻ^[.*@4\ߋ-jy`!^l:jZJ3^_PC~oAR82bX15tli b4,'LeMX:KzZ^۵I3Y{._ǒa([Ֆ7Z}۬[US{T@4GARJ})#dEǀ EX UOWlAZ|+;<؅E4!xgKQ2-Bw2ɸVi-c?\ubױDnv1ؘ- ¡ 5BpB]B?#>\q u"8aa 'L c{C`_@;b{wt'up?%ZePEUJd5 ˆn؜ޝءJBu82*f:v3lO[ʢ̕ynZ{T!e֑҅t9hv* hXDU*e.Y,оۨVi+v$ ?X?0Q%.4V֪lڿiѾ@tĀ{STi KkHӭ穢9MьO6Xb]ªʪjH3Њ[2*]z.:m\vee(޸lv]'(Nv}҆@rʖWKeY5֔h@; Tm(4P:5s,<6F`fXYwZ1"t{i2oՆoTm*"-v%('mm1!`ѕ֤ZO}:k4:FBba1HAl!,5s$½V18l?ʙV(bvIp2]Cmӫ:tR~`JSN(ABHR$ nV8( xdl*5Sesr[qޠg7 el^uR bmś!yM&/Qi E1KM/+RbM ]h N(!i rKz&tE%jft453o=_b0_p]?Ag,,E,JoJV AH!RY-]hIfGP4Il:jZJ3^_HeE1Z[ˌ"f\R4Y\'}Γ'B@46I iP "R\`mek7cF#^)[)MEUWKL|2 ."Qy= s1.AX0,E,4.eW4 :U,>EOs d]:@TLmh1`W|t  R`)~˸L" t{u>J$HCsZ\gN\!IH\3]18n|1hMl=;X06&>,,TJٚV%Xmfu}t`1Qb x\fGHIV0#j0ho¢PHftu$]nIx&rTdk BbI,YF%`A+ZMT*v)ߗNs,T`S @D%JZZuɺ "l@[@J 56B2D2|=H vZ0.2qDc~'$1,˃$Id-[(zzkp &Ipcy0>h $9;'XJh.Da~ ,0Fyp)K," pZ ~uH "-)jSrU#E}LlwXS>ٔ-[zz.f+VT%` -KK xұ@$V'jzZoN)aW)qYiYM߫vܟ&>^=v߲$Ei'UK$47{$i7g坦Wu&4+ " t%"9<kym&HkhJmё;N:Bz^PI,u47DV\d~S`ɝT F5=E_Cn Э4r?2*#cI ,x7a ڶ9mGZպzЗ B/vA6F5)qIXn䫵є2z<4t-TbBX i` ?`I"BzI s$Bfym `I7q(~Lb!=p>3ru{zNAG6%GEóN38x>z{$™ H ljF*E Qiru,Vjf0$F\ZYvJ^LRU)Y~Ԓ O&(lۼ,UH$/[ޟL>y @R\Kl13`V8` /5 @$vH 0D:/mӫ:vЋ@ֳ}Uc,hyW5㉮)3F#Uhz[,ݮsj@8|_Rg `ŏkrdX[ҥ9uRbmŋVj[ř}粪H/!i D>?$Mbtɩ/SC[`ҹv1F DD*8/cS`f4DŽU@T'HR cq""@$n*8d!qB-,J|v/q 6Vl;2`a c`\k@Hv^ŮcE}ϴ,,@$17"}D`ify۳/ҠԐrw S) )&'ba G>8aq.º3%^O 0X!7i'AHk"\s1!l;߯L'ќn^HonKQj$sDD5[(kzFU$ jr&լ!h9, Fl`ש3xN4|&i!{v & HG*u:(<23&\lrl(KρK1Z;}{`,E[mս]F[4X` ul:jZJ3^_P4I9+a=}J ٛT9Ed-Xn3o[=/2+V]…-w+jitaVnUGG<0ou,nYMh[X5qU2(ROYz!DGP;iUNs;aq!B]yiw u,bH u6H#RնVXgȰzaO~]Cr`X3I DJ+T-URbmKFeh;aeL'܌2,Ip<1^Dmڗz,T/W/Djj4ϲkxFڨz7=DbK%tOWtU9e/mv{*e$j7o)m9bi+RD)75wd5Gheɀ-M^5Ƚ*Z-_l/a?"ʫKj BTd6 G,0a=-,$0Q|3?v>}t2[OZHDR0nKu!U%RY-]hIfGP4IIWdQskRXE)K)E.6Lt݊m{*ԷL.7^݋v"o=h#ˬX, "L*d@v]uU&C"!/h0NZk5!'s\dbJ}PLJυ2eXgjfDAiU [2R6RiwJfpLrek l ̳{n© ɀpz3[od+<=cAQHxt4;DрAUItE,IKPvjٞp9)[N5*˒*vVysp7+-^D }gf vYjfN*kN{>4~IwX!n&?#rl "7H  v9Z7]@PU\?}Jz!ʆ06:7ɒ$3:V~4G6PR1 Ba:ڤri>˒wWPXт1XltjT=tu .fS#i]ۑ١}YR5H3Ey\Z *# 5(psR/WAR6!m!JzMQ0iլږ LuMꕲb.Q73={kQJ3 T5 q "[ 2$xx[}MfL eR" ѻД/TIHIk~azfư$V#?O:X,J\8N(ԭxX6l<q2|=H vZp?SK$Śb X !,gZMؤ_ء"9 G!3M\Pj&6KozʫHMd2Z-ޱ-QmUͺoUǭz˶նYR\N<~Iq:^vPn.:X̵-E"r ߆:6~Qi;a[o "e{a [ʻbT,@']x QoYM-"DujZ_KZv4tvť([uU.+ /tJZ^uP=:@4q gY셖fG>X`w`@{ Q؎K$!+ۘK9i$"1ߣ/ID*T`)j"t ױX8Kح K4 ,ZQHftu$]nA2,""&3#$¶I3dv6NUN*u6p"55wwe SxإfZeYOɚwL*jt ꒺|;e2TUX&b.Uje Nj d,U<]US FJEAZ$\X. Gѐ!k(la3*.>In#>?[ 6B! cd0r;\-ZO]xnyna^4k4+D~gK{n4UO{[wm2 Dhrs,]nH*p~ͺ?.۶lxwz^V=7kʶiH Fܦk,ϬM^Lq%?c;*a;0 6>hmn ZkqyIw3r ltԴgd kvBǹtYQJmMi i!j)>kJOz,Ik#V2ekU=+v볛9kĶ!k q7K3*ftꌳ#uSڣav1Ix$4'eeGv5JєtGrtJm l?OkjIVIi='uYhH7 DW'Jt:en h5@TXƸfOBiWqӱ[a{2b:_OX/۟>%UN!e֑҅t9hvX_ :q̖lVlv25:wSoLu;JtRd,#Za ?1z "4wSJ& hKA' ? u gza}]٥vv@)"5<2""`>z7wVk3%`E%̮K&N387dzI&ǟ bq0X(Ss=H`шh ٹ)70w-DUJ{V5Ē "׷[>TWNmԤ1ܒʨJMT !401-SK,Sh3 Ȳ˗rp& Uѵ `i_}ST^M썃rQSXL+n%qL9bx Up$~[1Q ˪^6bmgC3]m[b.(M5Ŷ %?0)j[V]R "$",iYQcAj/x&'bV_EV*xNd% Z@d]7>Џ "g3wbPL0K ӛ;?2S2%6PX&2Kw``9'lsVl{4o@vMAHm%Rᰗ8\,ӭ~Y6UdCؒ/3h0`).nּsӊN*gbTp`./8(^eNv'yF|d1bI=Y= "Cڇ 7D  qI VLZiiDp NjJYk ^B FH.znzihRq)Bk`qujhU|F$A؞F&4iDB;2+ "CX2 ea4fLk!-/4c 3G1lmDd2'ƍVWXZ8E5Z$1ZQI.r}PvޥQYS _I ,@A6r霋,_!zNW\ o;/#mMIw.ZMtۖ䉸-d0 2A#tRat<ϻ0ࢻQ!OEٹF^H O1iz$銮Ꝓ_z_3zv!$Zk~״(χ!~)j6Pxd~5]*nSmdtGVg1~IVOeڶт꠭3Ry2XRm+e^8tN'E6DMjz,XjYЋZRyExZ#,\"k E֪W~)"˜$5(Vs]^k&!b.(djoTY^h$w<*w!YY~8B! Htc-t0)3B|(GgS)qJlhuմ%$X zXZMT*v)ߗNzz7 D*_?,3 `` KwM K)~b G:q),Q,TVk$ƇGX ltԴgI a".A!v$,F{=ׇaCbr3$lHXqz^V=7kʶiH̜vm,ultVxwUs!OI ʤ5cqp-+5 WPU#*o9x4%vٱhi&&abZY!)ΟȰE3ZHN-o~` `ߥm;LәV|e ]t~(68y|k#N6΋yh&{C)Bb|@AYsgwԹ+}U Ksf{>tA8 {-{ \!hD򚃨,8??4@8C{K]}.m?uE@Ds9 `۶ScX2?9:-/؞e{quS abоsljcnvFGºw+#H)*Nmq_"I5|4@Ȟ~u ,N+: Bo!q 1"8yXP܇^ǵ NV7ϽYQ1Coߴ=FH& ́Eu@y 29[gjMr)~W`8c!}AYA`q_ V&ϝ Ŭ2LI: k2 }8VPO;O|?MGD0v"V/kڍ&j{MV0?ڌ}Q`Qfy%kBHX`<2iIՌع7f4Y% am 57{htQ,;mf.>z ^- 28DZ ̉)+& +kRO)¢"r'TB.FzQܲĚ{ o0+f2Ic[|̛%+@(Obs}"!,_4ݬyy!:]{-ƌNj]v\M@4uR0+X#` 8OB45_V14C DՋ[}x|oE@DdP,P yl*6zvG4CE, [&X|1sdA핋La)!{od<ìċgV2jruSԁ4ve(I; N_i`0\Km+Bʥ`&[Jh8e5u6WQ% '"rC{^j$@8[#27\ ~wֳlb1Vl~AJ_ Xގ߿FH3e%4W^"uڀ@Dhf~emc37d(@),AY\*Q4vsLDQh7ӲQu9 MBh]_wŨhXq aF4%HJ}-{Z,k][EM 펖{Q-Gln=Fawxu&3)"mD!5H=%& !1xdctE-7AvNL-l+8?D%XfҌ",F VѪ[w^ձfO3WR a>}B:͢=E^Bp\kحe{.V!ePpjE[2]TiִwڕMP]{4S!ee5V$,i AkҺt"KFeQjq#XR6>">&,a˖Ґ lڲU>e}B $8ew!]][TϯeYJEG k`472&]yB>3pYeo05Kb5́3ȉtVޮ z|hg* D%b}l8-=Ⱥ jQUyYqL)؛_W?^__{׆j 4P(K~?@yk^4JBE9Q2|Ai_ 4(*,7^_(odu[gI i vo %A^1V2Y"@wJɶ'4Rʍ1v0uz5Y" Pwlg(jcҟv$v+tJY/tkmͲl-XAB Mh/'mV]^ЏsA*$],rzf{s{eNNpޞȹxpQR2\)tpr{{.%|5>پw{ãPޮ]"fG8SvhfS=Ml.3Ӈš<}|jc@^~l]bl87{~aϥS1 5`%D^M^QjJ3ݮ;5+#|ǏPӦT6M.`ZmN5%X9ٕB>SC5+Rl!/9[vNQv@~!~{y8{Ӿw^#tsouoA=qg[%28dB&ƅ+|ɥj8}n3dF4E7[=bP]oZYч1HFV.ƽhy]\fPr6 KgE&NN3gٮL*[-n/(K~?r~4$j\)j?JQ2 KuiɽBvd= $*ۙiV˱rswie>Dou{6cU$ 3(,,?ғٟ V g۝?]n/NFysQa,LU)T/PպL29M{/l6́CMWʇ(6m|zmkz}M| 8lgoxpnb϶}ïW9/sy,8&14dn>:"[rmBļ2K@N9:~ǣl/dDIH ?VGtxݵ 41~ӜxWۻo%@U[K5,0cv6|{0L33?C.Fj_yi:m|,ޒWVjtա(zFIݵ#(@%3*Bd}Yv@ݮSՠJN议k<ȢY-<"[?PF|;ܨ]9~k4~0"@%J(T?'*@%}??uUb{̱g!1)֋b57뿾߾˝_wteC+N/6rs\x HDO*h٫A53IkoHg{8w%Ψ fKp-vn29*Hp_0"k6.|(mZwAo`y$-'ɺv֟NcӜǭhwe*7|}ji&`D G^ _ωPF1_KךcnX@^n+Nѓ2txb8+R? x&4Jym2Ut:Ks~Yq%H"JJLzUф ,'uWǫk4j4&I^l]6"r*nF^ܢy>QNH@UK2 (Mt$ 9_P@: D#0 Hz[(*3ÝtڻHk? Wʇһt!Fi,gѬǑW˽:I)*BnV2 egI wdۍEP5o1bX"9ˣ۲T2d8.wI`ҢҨqP#.@u{ A&CP @U6gxqXkN˦@&El VoKk???i0F GX8]>O䞌@n@9/'BcY-; 퐥\-2b{nV"Sk%Q0 :MH:oU!#\pTD{ қaϝg޼9 "p]ug>$T#HB;~9[ǿjԵIPǹ@x8AΣG!+ UӍHi $#IEV }:ҷNw}:.7,Ԍq|fDӵrpY}d(hA] ,^$(4Q0V yI3FI"Bg+e[f @%v;\"ȹVԌ _ @%.8O7v8Yy9uZ6@ܐ >)m$ꪛ R3U50)!p:CpC;=+]MzQ^YWt j)7 g@e8,Z@֧[Sd '^ׯf[׾߿Ⱎ3tFkye&ՓjaO /|: ^x1%HھVx=>\yj?(8n}o(B\_8!Jw$R۾a4J? 5b9ʀD j^uo{s?pLp^\>!`9Z$'A BT#*Q8TnȺr >FhR=Cv'/8 n-oAN7xOAMEJ*-Qn9{@eO[^9l߽rxՈWVTt5ceZO;(Xiwgt:J@czuu}M JmS,I+s?DK;@jC0WT(\ux5'ۇ2Nnr2}3u8*Z~SHvgrJO ꟷ)qs@tVw!U'oߟٕrXw۶um$( ׶+Q*Zr @w۝& GIL}./0J8u%ԏ$nܮn^EON6 ҸUnܪ,rYfQBF@&2K$4fGcEaPٗ7C8oaL"J5 otٟ8v/:Z Z ֕+sC-dQ. YR즾J&Bs}M gwQ]BңGX+o&Aᚳl9穁m-[ 6[pwudفj\)px黣pqk?YMZs'3t՗G yPu$8 JMc'Ip Ywi/9T B#m}wţsxfW ʷ@UzO{tƒ@E"1ЖVZ.Bkn?#4u\ˏ?ɅTAPiԫաNoFNcbTjQkj28r_Ǜ_~}K#jDP;|@!}w:35zt9rrk:D*]*g~rv 9>tEgۚ&̈́$$U@NcEzяuJT/ yEAXQv;@+vO^v$fڞŭ⾺5=)#k8#352]况rN{\ HN42 k4um'/p*z;46s j:O-dޣ-o(TUDQfzA$jVH{//U`%TDQ6$(4!^2ž 8/Tc[ Fa9M{/l6́CM(Q-gݧW_m|WuW?ɲh_~<,#Z .2n5zu+r8aHЏsQ4~0"@%490Tʉ4~.*!i{Aԋqޕ]RV}Z&oViRDI): K QOuNR\du՝jNk笰R2 O^8N 姷Y[f@Uڇ)lq)mq1M:pP_~= -E Ni ɸ?ò0C{f2[?آz%n{ȐTU/,$xBգ51 M8-[g<|O/e`Lgvn,5#PaEaͺkjvvnf0s}Ň|=/Rڃ^k2)?h @`J pO.0Um:j1:\H<Mb^*֚k:vj'A I@>nۺ?Sٶ%/X;w d]$*w /3/KXNꮎ7ԣF:_8F,q1Loz/w~iּ̽;y ~{O;m6mnjzVqBIE8Wg3^޽Q8PƨH&)-"T }|ciת P n>NTgSW?&DpΊ᰼*j4vZDުtrE2lq, U@UnKqZűdiӾ?PjHތtc6hf9qI RtTdPTa @D`Ƌr:h;-5]ӟn冸AӫU fEt_0])y'KT$,n Z-嵚;_ {rT#p(|Nv8,FŴ:!JmHҢX@͆w=wt,CFhJl^@mAj{lB5{N ]ՌOUp!c9 C^2žע B|(/oY3L(; 5g],QF@7,]KG@5~4$gŐtEJ-ˍ2 u2\C+Gnjc@ K^@U.)e)^fQv`۩jv|E&B^8:j=Wbii87ۗXOH$QW]rN}kSTb#1kϙz6wU_ֵ~o-ڏ~Vܻ΋~AvA]_Yib帞)f̧٦N@>pvV.rMtҊnsMtO4Hm jr;O;|M @hS YAi,jpXۦ ͺ.2g7ym3bgyVdc*Ih/.+l38ǏՋ+Re"ʷeZlͫaV.JH3B8 n!']&x D, 7,K9]e9fPw i/y2$iVtg*qݤ:TTi8L)qm3ϕ8T@sAJPo TBx6G/q}wҦRSY{+!@={5:N \N $qnQA@SQ7,JzZ\_9{ <{:l'A%x"ƀUq} ΀8S3 C<[}gVElOUf)kɊJCp@rv$ÛrzV9v+fW޲xq].pY'Eu8Po׶@N&2KuSIJ΂Uw2N!'OP\+S I4$ڜ3ęÖ3錈@rs״Wm۰Ydhޙ \{<׳:g KqqfW^[٢5ʶ+3u@U<+ᅉɛ'uvZn z]_odjn;O83v$z;UG^b?J_i8"!/zv:P+RzfQQG^=L>hKo{S&:*ۇ7 l[(/?v9M&M7 pf\s@3Vjo l}?mo'Ho3x=[͵f/`㹚LlzjAc{HGwfj~6DCkjWkÿJ?~**Z[R띙[Uz>5(QӎܣvCDHݟn2ZMi="P T5穁_#U{3Ơ,'9EWTE-4Og$,7^_(opb[dgfoIH *w'lDN\w;q|f_Ls6UshY鬌!J)5a*>1!@ݴ b9Mm>I< Y9$5kr@n1yw]Aٜz?:j>eu٦0de(O;MQqs9̗sa&R;BO{Hxb=gN BWLh(f+Nh\,F+[פ&>Atٶ;༔"Z]x|k`%e2wANkx=[͵f/`4\Xw kӅUYY$CiwϷr &BTbgEx}2'OۺÛp ߰}3ҥߏKK\[/e7dݳ i{Km-!*oRW@xg/ P eP91 kʦ6zΌfWJ@C 1*r^w{5^pbPKp-vУҩY=|"~Oe9VLm?qۏRǹ`Pe|8e~]HP 734Zo)%P{;/%-<$@@E^eP7-QNp@wA!kێRI RQ2E8m.(tJTfhuFB $$?#7?1DdiriW/hT!ZPQ IBZ&2K:4u!nEQ8vk6Q6iMEPfH^~IB͐!s403&Ԯ(Fz뛷煮T;B'i ]@ΣGEݲB@i4f7$vw E dn?&@%82+@UksgJԂ@hf 'A'rk̝ef53|r_k:i "\,6K=K:`Mބ? =I>wjxV0$q7 @4Rlr: pt5 _FGquRgoo$<j1PL q ' 8DNF@EF@s#Mw@HnCjw&b^/s;w5{k\NFNl:ǃ)BT"L3#TB#[8߽TN ^l`[|j!ԌGQ< 83 Tcb9l i оҋX#{q znK1~!~VߨP(~X/NIPY^,w"T$E%;PFnEN<''Yjq. Tz G`ԋ&4#*"@6`˽f)\)`j^!"?i&{#tGQ( EVUP>j,u Bҕr'5Ik%~|ע@ӥ<YlDl:(ɹdm3HmVSaW ?~lOI{?rם:m:m.I,gE/(Ai,4ۡ$"ތtc6hf9qI 2JjvE GfoYn.Q8߬ rmw0aGtu[=} ĬR.+K!ɽ)|nx2 kjsO$XxE+[Z3QYQ`Pƨ?كheVu=)dE|ԋ.]U",cQBFdc(a+]q/??Q]M7b358 *]vmoM[CȺRxN#,.=kޢVE!aܞi .yڋ&?3Z\),T1b'pXǫd2a@5Le 9;4nWl z*3$ pt5 _'diQ(ML4ۣe!j{! __bf5],BQDx;ݐg97$T01P/@E"!dy;lkWɲ8ݞlfް?oMf>^Pi{I .h5fq9\gt+5>|@B>WzR iW[:!udQ83- 2dͶ{l16~=j3B^*Z=CgTRyo]c=䰹lN)/<|rix?iFԸQ]v(*w#_Bei>/D66򏾃^q*s[0 upS۳ |b5X,Něr;W<|y1Rֶ~<qfwGaVcvCWiNj&Q^dvEn^@ +qY2Q *\Q)8;/P7 pfܖAPǏng,u.ڣ7h IJ"o?x!\-Z0|}GՃm{;Y|H)nz;"]=8P (l7gEkezDeψ ^ ֩n0̈́ThuYiidϽvQ3KTոb @+>ݵY9I =Ë[PkbT"$s^vUI%6!I [8'5Z;8DtUެ={FNI0 rD{Y֦mg1oCmJWި} Ev>jvXa ԍcN2]Wi *p?{MӷﴘPO(x =R?c?Ê<nID&2Kz&|: ["|jeQUy,hj2Fzao67H8P"!ng{;RɆ/75G {ϋ^Kzk?͞_X۶5Sz-b')7qpɃSp _zO~oi5q[KBKE?= D[&!@Γ9/Խn[o?Ya@U9@mj쮂ڦ݀Y)g䈀jK#?nT!`j[UD>siۺ_N@8k>@O8'*i4,-,Gjg I8{:\}{ϥLT8/WJfF@Ų9qFrᚻ-oCݮ7ʅ3XM[|~4vXMmS-]'yTՠoBkk"TN^v)y5 ҤRt[7 :p ?@v/];{=<.,U& 83ϑ\r?\SkGt?x{[;1*% ep. TFQ?4ykⶄ,泅pPEHjLie&ɪոRT|=?Ӻ)P>l3fw(j&2KO;VI.%,Rj6|bcQ^s,!3Sdk wԀDᶱ@Q"^6fԍצi~RhGq;Ly8w7b.|iM?SC?(KAyr0ziY!y-]bl87{~atm^eG Y9H9?*!^^_ޟ;PoG+јL,LU&ː${͚VŻIr.93@x0E&bCl/==|B 煺['γlLeք_ N0'v3t`,V]Z`T )]txp^Ou>,]0sT »; E{ Ĭ҄T2ĕ7Um6A}Q ;i{g34[LM:Ԫ7Xll g`ZC u/9lLmpb{ٚ3rN/: ?aF= irvnkdg=Mf@.6U9&w{Mis=8nƣwl4~{Y=xgE:WǪHʩ"nxr<3Y~WmS?n[Vϖ͇EQ4>$ݜ ωz5&bM"P+ Np\ػv]_gG7QHH@5EQ4)wԮ1Zsq"@%/F9rA״v1Lb2鰻fz@,*r*ݓ (jcEzяM>8D[M];Hՠ2_AAvCl"*nƸ_z?FM^71UOfd}GԼiݟ};}&Yxh{@({%?xNd_~CME S'"!+T,m: ?ҤI9*-'߷7I׾(^Lxॖe{O]7"4MQV}xα/rq=?Vrfo#>K7r1E#e@xsӱ˼]G4 pfМ7 y: w5XBဪ~h[MmmWn'GbόE0"\eǂXJcЏfի::(|重2)lTW@̊(Mh{ʖh/ŗ ҟ-5,pv6QHa'S/t<p o  za" ?Sw{G;cZԫU`is5Ekn;\) r-pM"$tVF8KI?S0)'?F3Zhj-PQշkzn:|t Ojڎm}!< ܳd>Zd"6Ķ<~[hlD;lZt4pm'Xռϫwظ") Iq[(J\N|ꙓQ|hF윞{`A~}W_{/ d1[Ac-qYgg}'\ݥ&Y"Hl9p} HB).H闿՟{?!Ź'$=zQxgx@ݴ b9G)<TpfOeոR8RP;\(Y9LFѠOԫӻ +zo3ԝk{gOFZ,ZRh\|[ bŜhxPu:1$K_zѭp^\>(jݶkƌ1$e(i$i Yߩo[:>RyTaUi̧8l z:w=ﭵX@YVHkffO%#ܜ9P#VĐ0 \ho3BTr q_,H2*5IX^^N t9vmw[ ]Rx@ݺtm(Hd]㟉  PU_(a IWҤRPQ n7?@ĢaBA5۹`zgdv#0i+ei CQ>SQLp,Zd Q Tdk;TOj<~xujI yudp>1T瀊Y58}91ho̙.1$uUlZy<x@Pj3 1\v0t {N%@%$±0\s-42uK"$݁柊qvo R>iqݏ^f'aTJQ/?qx_-]9u! ih<{->_0v)fs0ZmڻRdzZInȧ۪mC`Ohfي[[P" @ꉙ -o45ilgU1l,_-om:`C#KW뿾߾˝_wa3W:~NG9\OW1+Iو<,W=1KF9sPMA`uN*3hI/9s56W#[#5gKؿJD>#ُPχpe$4/ˁs^NKK|񘴗Iòg^s:շt\,F+v{xA2lLwt6j@e5BT"`DJhoFY D r➓T)\[/e7d}, S?*BJ)A|*"JtǮ(,K"(x@dߎIϴ];d7|f%,n>Zytie$ִ ݱ$h4Y;޵[rU 1P/dB?E]뿾V[/L5J .*ԁ_a.36@NfSwYf`u#$͇l&qywfF~Pr4Lpf>8)ydωPƤƘ 3}jF"큊hfDY99z/>ڶu`L}rPMb^*qؼ YqϿ-st%tƀ+Rˇ!^E|5SMn+D7bv8X~5 (|5pmjfʅ9h.x3C)>jk{]ӏ12A~Hlǽrr뿾߾˝_w4j=O[6ud@En2ug92ZaC]`R;8PÒ2@"~t5rאUdsn >DeEGD2x>nl 2,nuwUa._!+9a/!UˮFKG l@x>NBcԴ9̩N&>^N4|˚m-7jc"Y {trHs(Yxrmݳdpb Yy l{@ >k ,ƶ;SV8@5;@(ǦG<'qT@* B^(~Y*l3@nZZA+Y9v:i 9ȵ؈VۙRg+e{ Eٖm}\_e L 2S)>Mdx5Ph5tmi"L(; 5g.?l3g,k۽]0>@-_n"t])R/T?iy4St4<(v[w={W_~46Sz0ݝչ?;ۦ.? xx;GUT7ˡPv9wp Y Xdra{/wMKav$޽` n9/|m 4z0516vA;9½$n2MmiitsjPp_kdт7 'E6.۵ƕx>6P 'vs}?@-;/{®ܺ!R@%JBB?S;ޢvpfy {ln8'xw nx=M}2Nc.7es^j{?<ώrӸQ./YM"Z,JaG_#4m/60YњCK}@Zq4I+^A @5 YfJǧɦ B4WS4l;0ucxh #fuEJ6h5Ÿ#5Őt3]tx?^,88ްsf3S|-n?PrҋFt^Ʉy 1׽tس +Ua+fvF^q\7+TK^\M|Ry'w`iܴ,mo@o'2ΣGNcbTb/}sA9>{[E[/e7dTSTci"[% 酺ӳiMiFQr3U=,h: o/|v~[QY 7*TR-sZfhBP"[oIhԺ[p51t}tQq AUchfF Ųu_uǟ_GXx5[O=CF@A-K.b5Jf0֒2;wSLPpԪ eP E+2?#=F1tE{w<jf2l5mm~t<?!@E0" @57,]ہj4hf9qI .FB!*q#_)kCNn$8$W@h/1 W۲pLĚbyHsAP{r5'PAP" 83ljӖCgcYW Ӎ6ڷ^7D@Y uu%"ٔp^jYZd"6Zk]zۣGtB%عv dr\d?="ߟGˤt*?)y =3y7n2ޠ7_tMӰ:hZ6}sʻ?o6ػ% .H Ch$3wW-ɹJݹlDr#v^8"y6d˱q%E1R%qjE;S s%S#W+h{54\X}ҋapI @E<}Q+|ـ׌ PԸĹ/ 67 ma&Wg٥nH:5oƪՎVRt_uǟ_/p~ǟ:vGy=$$(h4˲0T|8ii7y pvTD+RpN1iG$鶮-iLpqO;G:JfֈƳ5߬g^xI2:o޿,t ]Sq d2Pp<( CRNxN 2tm  |+y7]k<])ۗTL"$.;J?=d( ]!k/e1԰PGm^@@޲xq].pY'mDlm'^. kڞҌNFٶ6~P/_j5XM]sۺo&AᚳlqemS n0J` sm0g]k@΋ԲkNG*Q&zi9p%qBs׏FT{8B!N7j%235ô"͸To$4Ŭ!*A3d6,.'/n)pS˜y0SkYݦM*e z q.\BV8F:p0LWwY5v{=0L9%@5DX=mA,`_n۲ϔʞk3,tp3E=i_rGxرs]V`Q8gN@5oTDrYfN:TPe\F|N&;=ݦ jCQ[Dt 4VjB} U}*VSv!}v ,OdxD UyP.vO9Pt9 P R7j(_~Ni!8Şa@7r2;Խ 5$i83\_Go̹kwC3] F@Um_ rmwo`]n]!d(OdqID`<tU@5G4h;7;aGi+g2'šyOok2q5 ,I+Ў8nHCp: j9>ihq$Ͽ\dy,ךBݓsȆ~K &k{.~p5٨ArGݽ!?dt7zNbr ia Ө{4ڿK@ld`gs]Vwx$@Et;@һNjBnnx&cgE!_0H۽Or :Y|~lp"Qj=wOP}V5sDQfI"7|Q˰%# ]BTBi@E+'F{р HYH^1+4!!qKU>8@52 VV8l`aj~s֞fl| =ٚ0,w @4 TD uخDrP V4ҙȊg8vgGS Ļ'ݙuC{H{A8\}u;9Z^dQ2$18/(|ɦRx {2$}sY|@7J kO pnޗr+j(@gg" @%(P3|k' Eޭy)uo9`v_vЏsAA])],P;Pa5|VGdݨ_#'eǂXh r➓$@޲xq].pY'.}'<uCԋ#N8*"Jf%Xv <g&,axMk0 {ԴvCQCŨ+W{ yE&@%nb93 {rh IfDY9ruwM8hyEɐ-=[$NK-k3VLĆXk^E"7Dkun"څzPC NJTgBHQY8ACB8 q')˰q{d37P ezRQn4t(0̈́!dWc"ֺzPA uN8v;N)PǏPUkPڭ{9e$~p ^ '#|7hYvD8JPf R3UaA%zk>'0enVCp)qj&4,D{B!L=џPEE7i837?7@0dioFY ='1t޲xq].pY'Qx@>;yW1դeM ̧jleFj4~߬'Oz]2jœmYEU9 fPdjfS?V~ !hQBh;@EHA?9n*RdߺcN֟Nc`Y9$NO;͎OnHuOǿyA qf81>V޷Lg@ew u@EWAz;YIP2Tn7g^87DW6tEQUĹ`{J? 5bT,µ\]KvhT "˽y;qd.D*‰ VXA;agj0i<]-{5f"im۟~kI" Tf[s wzw6h-$pAL@Ht9`Kat4w{PEmed)Fl6/zu!q p^\>!<wꦽ}_lATԻBrpY}B9]~ e}:*l*!o9bA<]i ɸ?òf @em { g)f\>4gg1P&d=yH&@%X|vn! Wy$`@횯2_ց zD! $s>68qeQ8vk6ֲ<]ϘRTcb^{ognfK?$l{Ҟ~RhGt[P"!=([:ԯn7g^87Tr@S>(7^@5OC}أ ҟ*b9Jϳb>'ID4 }dB{AJܴo ϐDgn_ݢ/dq y P/RSkZ`zFJ#UвWjf.$Y毵{.c.:(7w'uAM/kG?]nFO&2K*Ar)P",Rp cwmEZKi5q[KB(Ti)5A*}?&b}$Wȗo;ϟt:ĶbyvW%cij8B֍$ZF/༌7r1HbmowrT-j J!.ܘ-1}7}ߗ;44x$$nW(NB}sBJt] UAj$ 10b` pfTUi&`jT(ybZyL}P AB3dir^A&pV>@vpzmܷ` fwPEVEb=#So__~Vә"r ҤRtOSBU;<ޱMwL|jXHA]zc9UWCkn,f'?7(bׁdPí9v45=O5""d!腐ȡNcх}<;s-W; W<]&s?]l` @ N JT{NBt:I@BD8 ֔yY)!*2$m3HmVZkG#38+sZfV9u6ƇPewZ9#I(,96wK5@X&A *1[ժ= N"Zi:y@xvo*U,ךa옼a2v rmw_І?jHd ĕXOFf{Ftd7pxkK0/BnڜGc$8P릣ep8P7n!jw;vlCjvgS[ܮnx2 %5 Q;zvTO؅*M[n!8rXUоӉ h3HI)fǸ`)19Npش<:^=rm liNj݊ dZ^dQ2՗G{0=l6iOyQ}+ E|+$=z{ep W,_7FL1P/ p Q3\}?30xyB Џsg#j_)oP9 T$L3#^wfK*8_ F u*gʧؗBv:vzfTDߏY!^_C? {[G,P3hi^@Eq|?cX}˃zנ@5g-S'_fzwHhb˵n7BnlIP#T @ pVx/y2FæE(zPH"{T5 gs=SC˽m5O!%P"!5NAaݝ;@Ebt5cOUwQ4{NwG( eP@~nB}PZxBVg1ܶܺw{PMT};y S ~e/ό` K{3s׀Ơ,'9W޲xq].pY'9uLf4PjEnjY\—3+Re^S޽vmd _V;iK֔=u,U{f\8  A`*!S7^}:$@LgMՔmU^`D;SiR&EiR/~TTӐD@]?&4>E'r2 X7Yg>zNBVZ-{z37yE 4=D(T ŰZrUH$ٞ_ڱdǏ4;%F POqΫA'sL Zܴ$8hU9 j:3+KHZQ4-,˴( y@~340`RoȮ=4]β4ǴP'h9Q-=+kfFr d6 W+wر"^rg@p2-*yw~ FԵ(>ۿb~=s|RV @]K;O Q;-e:rŨ '1v_6s;DilXN确+70 {,%u+MCvi.3>'UE@ s HjORNofj]}ծ4KGyՊ<􃡴W1N4˟.Wv9i@}0[]E[JK>֓'RM~PHx籟f-ylJQ 9DE!B{fJR, i<Ȧ`)YD@P{re`@ % t~Njj# 0{*xhcKk .tw(YN8 ҦBت"m*҃ bΞ}fkt /+e5!& &];?wM .%4݇IZ*2Tn;ѲT`s#Գ4!o9;\lGu BC!{f?%QOg@M8 v6) =+֤7&@-Y@œ q-Ԝ ԘK5ORs :fddShc/njU㱼= k4*ǜQ5?-Zꅥ[(Uu Jl-;P1LE>4Q׭ 'ctZbF /Iܴ<0 R/(ɖ?JQKc_z $ ƌ@M-@3bWvʒ=\ptu/U;K9a?Ҭp|> FKK:|gx??~Ǐ?^ N:%=X.cԫt,aO32 A4eWzm^qؽ3ܙ(߁<[-0Q; aPFT8I.ueZՕw5д"/Ce{#so/֔2M Ka>Nb;1DnLAO.6͝/ZH@c/n"cy kZ嘳 3vK-Ga5{@⧅mwo¶`GCY%]A;F 8 w4Q8(>8=$$Nx&hۻSpZٸ?s_P;ۛ47lQnՁDu YZi^H nuN)/cڊƦ3|>'ts0ZCGeqya{I1Ana8@̷@TN45 ti!yk A ɺHhq|CP &Lᶾp:;t7f| 2K84,`Hya-^BK5~/f)g\{Z [k'U2f*=; hd.TKw/4 4b"RbR1]ipH3[4+'pMg+j9Nm33j"ub(B/8EngNuGSݜTQ^ aW1k{=wccW۽8"(%!TIaQa|3|U, YJ>9z+y/ l pW$fKS$/&OIpi-b%$jѕI4iF@@tjCKt˰E>[+Ԕܳy/:kC3;퇻Q9> qwl1Cg79vlrss54Epl(Ɨ~oHg/|= @/|;Zr~Y(CɇG!~OJzѱ^8 u$(jwO};F`I "GwޭipAE&j-# @-W-񣂨WNFttYLDZbsc$r)A ͔?[ge{A 1!j&o{/u`ܓ{[SiY UQɭZ1L? >Eo}~._` 룃ӎGL6c;:X_m0}Q8c^s[}M>,FuTH$QkC^Ѻ-&HӞjv2,r"%<\+zsM}_wc6'E >Jnw!qD Z< ^7255$pPM42 ~̙ݴʷUW=$x i]JE^l5n ͇7'O8\eeR?ym;hVW܋dFyG/ G4ڃ|Y Y2;e@4iG#sZt=]Ȏ5+8<{/y8P;/)Վ9 PR:\&4ג!lIeUK);E0$ %%!pSL<3U_qM & 4oYW8tsβrj$P[ssnO|WߙIU W A>Cvzz[cmToҾ__S)\iQgn6sWTAg,&^z;gڬ6ߪWO2NRzOIf,u(C?N j^Ei˅_ bɂFI.S:uY+xF#qUUKb@4*w5p*]!;0hND_m {)o<鶜𩔇$"t&4d@ޝ[lCa{B΀guF_fz|* /u#I>mMBЛ7b7\x(@ Zx1`ghG*V@M(!j5 []w&И:4WJyE$IŐ~i}_Zw uy{̥F& cGdM4ZP A;Ft1*?Izzv,Y$TN 3I:ŶۅA7|B~K{0ge΋iHDR2 U+ݨDR~_@` 1!+;KMȚH RhW;nǜDj;ǻfgl,xUs0JdZt ,:q{/_YZiy"Q &MkGyot(wU":R A"gp|C`L@ b* ߷hu3?87M ` p ԣgA̅jit0uU5nhڇ0cޙ8\U(3qpOg9y!J޻-b(N-ۄp G0z]ipNEdݣN:?QmW^)>ۋ8̖4M@t:oS"}'}GO)!Ь4佊1}dlSC73zi"]> q t}==n6H8?)(P~LĆ!PtG@'c<.5nm!-ɤ̮ ݴZ4@=ڱ3w27tGuF)w?y"= ㉔E('qaűDt 58@ȃ ޞSd%\6+}744@M8 C;Wb"L!QpjłAn WvЙZV+pB7ۧhu<&Cݤ{5hR.`6֋ezfۃ@(B*Uk@X9ZFBA!ő>G &VU8̥Hcκʇ/;[7>gy_ɭ[a#z=P,fg Y;D:窮8 qW>Io;BS 2NګU}PI 5 }_ԲRǠN]Uj+Vjak'4ûځinX;$^ԗUx#zk4l6qpQŽҍA+߿>gI` 1!s.G} ebo{f{@G$ڱ3w27M5} PŵvO |;;"yC4Ce_^*!ő:܃  sX?>WsjQ HֿP(7Ězz6B"Y]騦T؊<_F^9<\^JQǓ&Yhphz)C˞٪dG@ t-]J &@=/z6drij,_(;6]%_@ OoAG@0:,:]/4n4)n0i2b>Sk-f ?@u\Uy{BV&mM;t5DLq-{iGpLoi3YKjOFpnބ@0^'wDb;Xy/w: X2;bq[ u@]H:lfyB2 Ag.)CGd]pԄBw[vTMwv\JT!ח|}3O]#JHcJpٯ}8$Cg[ tâ3zpY^CU^дݴre+b@m؍(,,K*V2|!s>e~1Y  !*0XN:~\+yۂ]Ϟ}7`|jf/߶/R͎Py}ځjļyC yjt=3k A" aPu__sAc񇣊kpCаRâAb@òivG7JqUL3F~riX%W0$<+^zťǗ_돯_x͈.ݰ;v4HtQv.ԟ:/!PQ^F _|^7͢$yh*Haׄm`ꆠAXxٴ@0u Je o 0мev^U.hW)\;8wOþy~3>[jGwZCA'Hz6[^'!2/e]8^"]S6A؋dZ-j<] rfa{c>uI\i^Ջn]'ߛ (㮼ϿUvݿ]o M~ct>T~Xʛi{>۱l#Mo4hV0@zgKRߋxf*\xAK CYA _i/VAx3V;b5( 7Ee(?x=+6!bEf?雦k/YhZb*, ?y"EJ0Q4/{ {aR= tLށ 3.=Xploj4u)LJ]UV_#@-0-:U̳سۃ.jhV'u2jҕÊIV@MhW+D*RֽSa,l2rf;;nr1Ͷ1$NǒL"6## QV 'b7@0B ?JVZ-^47XbZ)[mx>ݯ߷oSPD'2ҫMj^__O".I6܇vD]H_E:ctB32]_OmJ':?vaNDiG#sZt=]ȮaݵFՕP]=E(@̻P]ל钰( h^CtKnl57o vz&4mVq7"O;ϝq0:]J;Q]$]6޾FI f?MmeFSi(r;2I4]{92nAP{Zb^Wk9ǣ%(NþahEQTzVd0aIrx| yz^6 "E0<[$$"bxg*t6&| ﻒBׂwZ/VA8-,ehuW V~p2{WRpUqip{*3LjOJQIN[Ǝ*wxf(tk@Wq?6i42u/~~ځfB7Zw -np"GkemԽhj׉9ss+ˢ W3{թ̬ts%p-3pа֓'ҳ"'q4$\yjI2(Z3ц̍DjEw0zྐྵajjZ&+xZؾ^w0]ow32]_O7mR:?j|0xq 1jsu5,V:@C]!HUv@̇>]Qcu\U/%]Ϩٝz1D$' Dx> ן~O~?Z?9аPm ڛ-)DSuՕ1#pɞQI )!p9/8(~* m\}b# @p ?tD`Еdz^vLK,i^2!&Y"w63e%Mzn>-1l2y'gcC_>]E'fhŠgW8ds@A<ЬDŽn.+~> Qtj"SqO_&98.@=+H麵AX []w&И1TS:1~n.d8+ˢ W3{թ̬tsNaII?q:H"K 8ز,5ZM w(Re2I׉uhړzٟWe*PS2|'gAh;sPI=_ȻD@}vȹa (@|v79 ti!g(\H/<UDSMaT>qvr3 {T_x Mqy;Ԋ5yvԩg@j3xu ݂?Ey&PywW @< p;8ܐаk4lw)tM.%Y7݇F4bzgKDb^<3Sd &,NҫeU:>4g(vz$nB qqݺi kZRTgIoL +&$Fq"5ܞ[>WI^p2J P ڡAгf)+6Wp_3obvٽs!kq;$R)4 U+ݨDR~_@Z<$Cl<8'L<7 ' Ij{U65}~1Y Aґ ꤳ~9Džw;]Ek/W0D8DG-K=; hd.TK 5;C?J !<+n|Zgu̬,ԔSX\< jOo(솨b9dʴZ/ gӻ*@Sڥ}ǎɚhh:P&G7獪bU~l/`X2U)ͥQ;L`JӐz1hャkr"''YB(Kj^g:^2&JB6F1JӜiieKܯ {yhf?~~ :ǟ_~x!o>M Nq;$R)M8lLC,iHigҸ'r%/N" 4oYW8t|PvZ&yP+"1yXyʇa7PggIM|ghU هé( jL]Ph aE^` /i?(|3b9dʴZ/uҷ(N»>(.]4lԱX!hu{PLEVǩdWe*o;5@Ʀ3|>#9>ɦj=Ԭ JjL2҇}8?)&Q~0${E~P 8W/?8Ac)%r{8Y?=f|ϥvL]-TTLVt^ cGUnPׯĈd2ɺ#sjxLg=; hd.TKw F1Y'M{\%zs(e _#L?8K:LB P^+k2oYnǺ1"_dkBwC& :p5 ¸Q vK= ]UfKːB0 #_+mT)!Ьs&m$ ^wm.rf;ri:^S:X_ض67x@ B|>+r;sӳ:f_Y[lҷ(NB>'_-bvA¬AhX1:VˣNԖ\4P-m.6V'BƦ3|>NDmwl1pɺm<,g&im^2o4Yr!j+yWΦ&O_@~AG{FR>${ En'gѴ hr"FY l"3sb1x{O"j1p֖QQI3<.\M5q$U]'%2ô 8Eraw6=<wCP%9?xl;+,x Ą-˵rGu796_qfs4E" E|8tñƱ D>ĵbZ®ȵ6r"? ]'4}.Mi1O1TG{_PGtJHt 1g6m8g.ԄOڹX+caZgu̬缪'ɴ?^M@=+PQɗ7XJ;fbmc:rOql=cKYQ$]Cu9}C=s/!0ϖ~/ Ĵxg*E@= Atp?׆x6NI q p@uK8WOHAy5;$޲,@Lw p` U+ E@p/~1$ ,mw?Ysq42MӅv:|eQ ghf-.:|UnE4PiE^=>9nl=("jȷh_t_˯޿Տ|AQwO\ I/1(=soB珯ei?o{vϏW*VE$za=syCYjp:ө1,ւ@=ivG7JqUL3F.W\<+^zex^n>mn͇%ڥ}ǎɚo ^Pm8E3PYBae"҃uUf@=%N" 4oYW8t|wLq=ss)Q<,<Áۋy/P~ tjI,~2{"uK\!j6-zz K kɮo[ttS`A+_83ZWwr?;zy,*E58Py@Z-0Q 6s^ql~pR)  p'q֥N @"? &w!ݷ3^jrÛ@mKV;$N>ɴZdx|\{)wn\CQ iwP\P!ct>T~XipT'kP۠YE_,NV=LZ1̂=+)qz\`6I4 ͜'-u9{sI ^>KlIr?4G;Ժ!#K__{N)!j^'NϢi< cBb8V. yU;"'˃" Z޵ =9_ߥHAqZ@x_\56Il- ba>{2㴃pٹP9.RB[%]t6KÝwڄh5!j,NҫeU:;vݷ*\E"r0Pa0\WcRj֠(r&"u)аO•w|B޻hۛ,rz˲-+4Tgbp|(L_iCJؿFbrpd3F߹z)] ;npP~ jk&0h[4wI ɛ呹C |VI䳏ԩpTM5k0 ̟K17?FeJMHω<ä,۳b1M<j*l~]ƀlM76?TT—$y6gc`0u4~E6H-Xj؈&puQY0:bnw̚Nrj=;l8al=cKY ڀzܴ"`HZȯy{IH,4SL<3Uqzw8AEKyN;9@N 3I:Oa-"xh6 9<vz||qTw!@-dn߿}Q5y?4֎QPhc1(bmtd5vSYII!=bPpUL8giSP9yᧅٶRS)~]|O{^ Q2 /pyfKàujn0C|)#I>{wKm^âH!(yݺRp`/Ϳ<>$8 {vQOѳ FBz,uU.rպa6S5/c2Cq1]SVZuK* @]>\T]SNyC fvkޠ PGW-04m+]{4*ǜQ5jA xiZX$v'@ i,lEhD?o)7.^~,z ^DkPvYVW kd+)}K¿a* PӏR| yn=y"y9/¾Ӳh3ZWw)=|WSuS9:@ 98ݲ.]-ݞ///K PO"]KvG˥+B1I<gvesD?3 M_i6x>m74-{I<'-uT^65h@Ll ײ ,;PūΌI;^mS a fnzhv d8r2̢ aIk&;{_t2( I~S]nRzBx:_LsdA߻=n֍{_~T3>wt)C=gQ*7Z59aNjrC &`H<[$$n&'&@-@IzUٺJφƩ0>ktb pG~ ig)Mz.E+i:"}䉴 `LiIQn@myϝtOc_V6eeM6b"X;#{>s&ݾ&`c* 7K$@-:Y4  [/l[j*oBɬGc}^ 1!jɩk.ݰ;v4HD K kɚjFt1*?Izzv,Yڥlv.ԟ:/tGᢊ{WϿ f9'O %fp{`U o1wk Y#͢ґ ꤳ~9Džoq5Hբ&`RGoh~AMU;]554B( Ƒ;h@ @=>T}{c^oo+NXG4l1m"F!)!O!yiW^No=j<b N N}CL(4뻃".8IahC-l]EVJHZp|#Bn_ӫo~:ѷ<նßPG'İaSrU6sK0r6-@N ӼFh8:WEyȲ (ЪDS2Y5Q1At.7;aۚ1Yp'uM;Qj7I9ӌudn)-?JW?w6EW?헗znG돣{3,>ڬ(P+vcȐ B;L`JӐuv?.;POS#Up!1ǝF, g#I>;}dׄ@8:r4 /q;v]W Pl%@]oh޲\;I*q4[WX`aiG-7OGQ<,<"BsӒAaZ ɳM1SWv2XY=}G 8-Ce$ W ;?'es@M\޻Bԃ[%p wU*jVԱmXYD&MD 'Jwپ/2Y<=&uNb.WQ9zW/ UϤ!m>h(Wve*2xf!<@-8аwSSHI! /8S [@mku. r{FQwm(ijY"0G>f vF4)jr~ί )x߭%,{<"1hq=ݾE1+cyAz6nuueAM@kw{,z(z b1;xσ Y?*n*z{ǹzC;P=Z[P[uDb[(ln"Rh5!Ь0мev^U.hѾ E"&H=^gs}vmuZ(O{_4 NMzK{:]ģhhn N⨺Rw+ofb<&hSGuUԄii= j?U]&EH0/`6jw}C;XW:?jI7'O_ \ʦaqpl]EDNDV'GujFYF"znkdeҞlՒڣYtBa"}'#='m vi:ܞD@QTAz|xnzL 8c^SYaj12s t_-Jo)s6ש`lhJ{K+C\1SrV +PQz|4ep_ϻ{%aQU{:X+me jt5Sګi+'J_4 @MnOI!Ь/$%n&tMZ-˵rGu;:BsаoJÇ*wiy>Zg^xZQarẃ #CXtâ Y3NCe&USKbԳ8AtMW]8Z:=b:,$*Vʊ 3ضp@d<zO+f+p@ [NF15ir{aψxrAZ0h^Ӛۚ *2 $urs9Je7d> d/ojAf8te6U*g&ݿ}!f6Tun,YyMBzii_~k&vzJ4Kޫ_RS'3nMc"6X@vm]MԢ+el,o4͙f,\92uClI~|y/..g^P~˻ </ަ#Gp ׄ97r,4l^6-,vUB[B9Kh޲\;I*q4[W0A[KQ<,M_-Sҕj{ۚP) ϧdD-Dg>@t Uw0En=4"WI?̥<%^'Uټ TR.6i2bSU3G wm;8X*n_^)SłOQޭ(Y]7RX#g={ag=uUV1H!:P4t05׉gT 2QSTrp)PȻ-]EVGN1!PgQAOԓ}#ɦm?lpϼ{%GrCwti]yXxE8LF\Jkp80=2ϋp7RP_l/8vOu3TUk1ayr$\l]cyPZS]a N>o7ea XᴈX೒0(P QQL@m(^D݉vYY?)t&Bt^߶QZ׭yq@LJ{4*ǜQ5tJIrŎ)Dom ɮ$M)Ȓ,x^z+qXHQKy"-zgORkF|xڈ- â̩yU;W0k[W2Mf:g_4f}#Pe İAϖzaa-"1TEyji$= =X;-vt {5jlVܾ> gZ4fLp$'-Sqс B Q4-,&i8If(2O;ijAf8tJ;"XLcm8=HOwZI8q?tyP,NfWY9Le@][R05aa_^ꅥ[d1E;W-O S5/jY=oTM#g{~kǒ P}[f~VIN!M؞'elL:Vk2Cq1]hҴHa @:Y4q$*VnڕXehL751]s[._<S! ԰jckA- P[ >]`5 tg鶵nk%!Ьs~@mDɱ* A-=N>l}]%hkW4;鷗޿?_b?y,4P-m._&k:ya,&)I 'stsǕI BXɹ-;$Nj/ !j]rj"};ȻC9GOY>{fr ྭѲZ٬H/yH#=ey ]fsbԓ2 ˑ.L[Co=,&AԳ;:۝,zzBFπ$y}BUhAԃ~t I%7Q*<6i]j8^Ō1&|{v~=܌$ω@ KF:?3#Py&K,bwӇ@=[{ԁ1B넰^c>&7~NG|3aQf2"j{@5&w'LE^I׭'O_^~0 KxTJ< I+^(gUs%][ @^ B<׉uh#{t2H9)SUErN#&r{j: $@M+{'#YslKQ8 96`M\e؁ Nm?UtzvWZ7%q#koC{  UWa1!xsA/V--ZD۲^U'u>s?+}lZY*-G<4v YQI#@=[kRtfOr.yabа/Z )ȯy{IH, SL<3UOpͬ84L+=(z/+" 4oYW8t,6%5榩iޏ??WE^XuwC48 N nbEDUM8[-6&nZa3Q۟@s'e[jƼ*eEct+jle8Q}5똊 BeRԤNӟEӞԕ$*VU~1Y RuY_m;ϦK{0ge΋)}Y4*n_^)? 0{w!h}CPY]iՕC: 2lvoM~?J<!4+ԔmvOhz 66~jgv3phě,b y@ _N1(Gv{0Rg]iUD9-!YXM۹"pu,Zl6AfoIDQZf dzD5UdnՒzZĶ;S G6KDnFM-15Pam?]fil|h~%+I׉uh#XZ-0Q˱"u%( uKO_pL2QTh&]3(W(C?J2L@91Ь(+ðmqhh<7P=(^㺵GDbgKt˰q4EME 2jI|U, Yps @v(MuՃżԵ 8_^K#yȮ3} @ڣa"GqN2y" nn PlVu_˯޿Տ|L?V{:2A&2PAw4Tm )3HZ ԅK@Mdv|Ag\pYҌk(h ^/N4ٞ@pяWhϴ~obK8Q7VIҳ=Ѓc Kn\f3O מ:LӖh_ɬ L:Y4 0p `)L`J𲵗PSXi@0ьm7$Ļ}6'H W6p1;7YZGd&3HV 2ՁS0Rg]iUٗY};HUeA` 7{KvS! ER duJ1 M| 0/>(ql4gA̅jit!뚭lij۶GD `VN]s@\;nUНvXjqtq;Q!\5prOlD?_paN 3I:m[ao]O8 qqh jS>֦۫br$+BYo+T(8袈c8 q:Dqj 'o.|;;OBY_Ƴ|o{U0L&6aNs k`A85n|]v)4%P48ή}XW-=(ӕͭQh|U-SQ_rIP4tl >}p=6$/Yyh@j^d@] {m2Mq@Îo"yM;mAC&(8VKb N$ @vj ,]wUUUx:|`voM~?JÛ7@9kin@9`N?XHv=LY bWs?\8mKNӟE{ALm!Q~0$%ScU_I c p,8K%ئ]o/6lW/y1oCmc;{aX|8)RE!E@]K g3Ukc6Lf@< @-zaa-VzJ -4' {@M"?p לhCwo]e!PBhp1;7Y؂Sxrȧ࿋R:?=z/&+7A" DY|6pU@^̣>M< Nq 5@ oUD(儠 )S- GuNQɦ}}õN4Ӵ%4!jiҶ p ȴj7c%A3a$.oAukןI>F%eFw;\iUd(Tr[$ L݇|vӒnZl.9;?y| K km;QX~IF|hBY#;w8jrK4ASi_sQ׬x4=]`5 ,lZY*]B-= qq$;KC60 %+$(FqWuE#6K__{b8߿zOؿ=iPlZXu,`FvjZR;ЇtQKwn:6%}8 ڻY;?@=zQ$xV@" C<*"c9`QǨ憚t|Luݷ=@SâSxS'r@Y}Qz*\tz<գHMdgwv)tcܳIjq2,ߕU?TWN'uVL~wORԤE_J#I>@N%=;Vr4HӇ۲gn_aO4ieѣ"'Ro/_`:\?H4Ł7s* WC=MT-z*+]i.WQ9zW/ <&@-/jGd㡣PY?L"igΌq5 ,߹ŘQq׷%ߧE8LQ5 D[ˎv;H:U̳سۃ.3>!/-ZDI1ϖS/HB?0IY6>#;zja4|e vdk$p_CI~=̳KBSL<3Uo'=ymSi۹v6w[b KdׄbMV.-mw+1K7,$ڴYD&M8 +%;lEQ|YKO/h\d.WQ9zW/x䮲f<\Cg{e*2xf̡} Dw8UJ*Բ74P-m.. h>\g +׾kDbX2TA -uv.jǓU @"mN񮐡J)D@tx,{ϼZڶfd0hQg]v4i6Y6ͷ̏}D/Q28MZV{Ҫf~81o{Wx@wT AE߱A&l_ʦY(5ƛӜiwK%yW R 8/7Ώ?{?6y:^_^l~[Ş!]\UYoA!—A޲Plg'V+1CxPAXxٴTuU J|@þ%`jB|)mOp +ψ"NL@=x|OuVIޣFnFlF"Hĉ}ؘw6Ǩ@=κ$f@=nȱ<-}CnڻoC#]M(ފ4vv@èçJW*y=5c2pioޫhѬu\@M55Me;ZR{4#0|.(4yNA984JUf#=n &h4g4| vs :ĉcBy{`ACUpo' UdT(nd4:\s$7`Xd +׾kDvjIqD0ZgҌk(h ljN`48vO 'Y8+ʶ /:S{љ^_n)'Z_CI~=̳KB"ԢSL<3Uyqǵ,NҫeU:ڒ*}ȁ&2L!Op; ~WN2vP*EQI 'PkFݴnZQyx K뤣x,Yi[RW VIY?4z馢(|15˨ Uvoc{nu?4VviG#sZt=]lk FL=]`5QaԣKZ"Rp aew"5䎮8N3;ZpΩ ZtЅ+$CPSZ]tD w@~{/?~k~xhSB1ϿP:ՂpT'v`:Ȧ΀ d$vH^:`YIJ!J&A __4ձKQٳ;jMC 4bYg1X0^§xu%GcrYUәYqiq/"M 2o483|uG*š }#ɦ=t\NpԈWFtڥ}ǎɚh@ 9tǦn)rUH$ٞ_ڱd9l+3=?^X:^L4z.kko;yhp[Cfe56ĝf(FLY=.^ d.WQ9zq?>%8m5V. JVx++VQ-3XfjQ'~n< pϘSpiak5"1ݽ1pbh|5AaZ &"=;xDu~1XV~6'V|Hc9mf(ҵ,NҫeU:Q.wwu[Q3ļ{ńML,Ii㠈l: ,'[[Bw Bfv +otޥP;vjY  ă鞥";)2-"Pܬm&K!:?m ׈_G q*,]46v|D7-)?(|ypmj'y{a qW7쀺_=!а*UVp9Db8аSe8^XX{n+rtâ Y-t*A45z-#YT B;P{haVkL P4-fkwdyWi4caOkLU.s/cBX^z,++VQ-3XfXܞl2h:{}h:x ݴY0ʵ1jqB8%G|6H-Xj؈&p@A/OK} Bd.ІIer4'2' yY "a-^J~/f♩H׭'O\7cΣ,^J'Y0QZ-) 4oYW8t,Ew8xTñ>ab"0!x>iݴLq:[UO52QaBA|3Vt.*OY_vl,taxm\Z݃?Ȱه(Z5aaP7!I!jZy >O S5/jY=oTM#g{~kǒ|H@L{8Y?=K8$*V 90]ڃ?++u^LC"1,!h.WQ9zW/Az,|N7 5MMjr48kF4tâ Yo2"5-?l}]ԕ?z(K ;鷗޿?_S};`,Q{[@A* uP=Ӂđ$?;!fuvr6:Vhܳ0M[ǧ A[*'ҳi-yR?*iX d9SĆkSL<3UP 6b;Afi Y2PO! Mh')/P.XuBz8[l_훲}j>Nːp:G+/CdOMfM hcXs^uz¢{jlD 6G=q6@e/V7,n9Mr[B={,tiy1poiދ>hm:7D@ Ǚ(jPD s=;ZPo 8|;KU)=:%W-wa/VA8-,%Kg-  |2 n7lO&3)ƃI`sY!/׭'OEosiE*j{G|w_sy~pZ m!gA̅jitq/8HM$,=S˵^4KRhNg{1KU̓a/M~0D)f{[Ew9n=dS5iIG Փty59L8ڑ;`M_vrV(?}dhhhwͶL,\[R.y4$N"'~>nl /<5>5^ . )j/xM5/}ݴؾ{j[ es#mq'E &|yx(eeN_fL>Btâ Y JwhFt1*?Izzv,)M;JuE[ Pײq6ʍ_"rGH vP?JX5(G7(<< @-ym2@%@=:CT%q5Hբ!qA(\TqtrJ^>DŽY%P[F܇JHM+c"TNj (>sir8'!jl^vw,ʆPs {J :7qQq$gG7og% W*@=!#P <|4kc΂̊&|v ser{^tH4ng`3TpyFmqdmVAY> iM &.6|4ɤi0: -' ]v/'JIkl=cKYa]q7R@@pEzgKb^<3SW&s3/wlu:闆W-S$XᴈX3:5gƋO**Ӏ->TVUn{pq$g|r׿V $&SQ<,<Dy%]q-{i1PаE:ctB32]_OD\JHnyA"nfP A͒c+҃bMl{U.%C@4h^:z*= joappfܵ±W2KhVg\m bhhY+E~2M)H%u,@=wt:Օ(Le V3>8_oP 4ZHtjוdz^vLHkhQQ׭AapG ):~vL7Y: Dbh> Qϲ}/HB?jr}Þ( CS. i5|箆fjDtMٹjGa:7ˬ a @U\\ZV{9Nm3 ] q.!E:ctB32]_OWPn9h@]ڽ7dD 1!zWwwQ$Y^%3@Mxx> z뿿_['2 in"-V>~b;Rd i6Ԅ&@@NrˣŃ-ƮoZw"ZhޝOTNUm/bWh Qo .8&q A*!({`x/ =rǠ T; p\Rْ`8Š̻HmyDON#PB"`H<[$^<3Sj-&,NҫeU:>5r?]6tC~ ig)j`U |UKǞq42MvmVj_^Zm#KzYI{Kt**L7X˷2#2PLp^L~8bײҺaE^LNv&Ơq@L@L#' CO>C@Mܷ@̻,ԃ~eW.PIovzۂć5,$ͬ " 0siY<$NeR {|{͟2 h޼!Tsg?I:ҥG&2@(z\$t2ss&b"N{1t]:yjVw 'q~\QaڐdbS9- hf:q/W;#ubWw8BCͰybаy"UMީqԍmz8;vnx)Ѐ'7Y&${[]>3F>u"TD,L~h `ay@fi-OB October 2025 - Page 3 of 6 - balconypress October 2025 - Page 3 of 6 - balconypress

ORDER ONLINE OR CALL BALCONY PRESS DIRECT @ 626.460.8339

No products in the cart.

Month: October 2025

kesling-modern-structures

Posted on by admin
by Patrick Pascal

Kesling Modern Structures: Popularizing Modern Design in Southern California 1934-1962

$24.95

Beginning in November 1935, William Kesling was Southern California’s most prolific and successful practitioner of Streamline Moderne design, then called Modernistic. With never before published photographs by Julius Shulman, this book is the first exploration of the work of an important yet little-known player in Southern California’s fertile modern movement.

Categories: , , , ,

Patrick Pascal

In this 2003 article by the Los Angeles Times, Patrick Pascal recounts the story of how he became interested in the “overlooked genius” that is Kesling. You can read the article here: https://www.latimes.com/archives/la-xpm-2003-apr-24-hm-kesling-story.html

Description

Beginning in November 1935, William Kesling was Southern California’s most prolific and successful practitioner of Streamline Moderne design, then called Modernistic. His better-known peers, Schindler, Neutra and other modernists could not so easily desert the principles of economy and austerity. The unschooled Kesling was not bound by such dogma, nevertheless he was driven by his goal of bringing high-quality modern design within reach of the everyday home-buying public.

Just sixteen months after his burst of creativity began, the colorful Kesling pled guilty to fraud and was sentenced, in March 1937, to prison. After World War II he reemerged creating noteworthy modern houses for soldiers’ young families. Eventually his business practices caught up with him a second time and he permanently faded from the scene.

Sprinkled throughout neighborhoods of ubiquitous Spanish, Tudor and Italianate bungalows, many of his striking, clean-lined houses have been restored by design aficionados. With never before published photographs by Julius Shulman, this book is the first exploration of the work of an important yet little-known player in Southern California’s fertile modern movement.

Related products

kitchen-centric

Posted on by admin
by Mick De Giulio

Kitchen Centric

$78.00

KITCHEN CENTRIC puts a new spin on the kitchen design book, offering readers an art book, a fantasy book, and a bit of a field guide. Internationally known kitchen designer Mick De Giulio takes readers on a guided tour through eighteen of his favorite kitchen projects from around the country — in urban lofts and high-rise condos, suburban homes, manor houses, mountain retreats, and even an early twentieth-century barn.

Categories: ,

Mick De Giulio

Mick De Giulio has been creating kitchens for distinctive residences throughout the United States and abroad for over 40 years. In addition to residential kitchen design, his body of work includes commercial projects and product design for companies such as Abt Electronics, Kallista, Meredith Corporation, SieMatic, and Sub-Zero. He founded de Giulio kitchen design in 1984, and his work has been published extensively in the US and abroad. In 2005, he was recognized by Kitchen and Bath Business magazine as one of the 50 most influential people in the kitchen and bath industry over the last 50 years, and in 2016, was inducted into the Merchandise Mart Hall of Fame and awarded the 2016 Lifetime Achievement Award for his contributions to design.

Description

KITCHEN CENTRIC puts a new spin on the kitchen design book, offering readers an art book, a fantasy book, and a bit of a field guide. Internationally known kitchen designer Mick De Giulio takes readers on a guided tour through eighteen of his favorite kitchen projects from around the country — in urban lofts and high-rise condos, suburban homes, manor houses, mountain retreats, and even an early twentieth-century barn. The kitchens are decidedly highend, but De Giulio’s lessons in dreaming and in mixing materials, colors, finishes, and design vocabularies inspire all homeowners.

Spectacular photographs (shot specifically for the book by Hedrich Blessing Photographers) and De Giulio’s storytelling reveal these glorious kitchens, which roll one after the other like short films. They include a resolutely masculine kitchen (mixing stainless steel, nickel silver, high-gloss dark wenge wood, and light marble) in a French neoclassical-style house in downtown Chicago; a lighter-than-air kitchen that seems to melt into the background of an art-filled Miami Beach condo; an open kitchen that refuses to be all traditional in a Monticello-esque house on Long Island; and an artful kitchen for an eccentric French Normandy house in northern California. De Giulio explains the challenges he faced in each of these kitchens, his thinking, his choices, his process, and, ultimately, his belief that kitchens are becoming more central to American homes and home life than ever before. Perennial questions about kitchen design (Should cabinets go to the ceiling? How many materials can you mix into one kitchen? Is stainless steel dated?) are likewise answered.

So is the question “What exactly is that?” Each of the featured kitchens is decoded at the back of the book, with materials and appliances identified, leaving no reason why KITCHEN CENTRIC cannot invoke kitchen dreams and transform them into reality.

Related products

italian-cities-and-landscapes

Posted on by admin
by William Fain

Italian Cities and Landscapes: An Architect’s Sketchbook

$27.00

This compact and lovely sketch book was created by architect Bill Fain while on a six-month Fellowship at the American Academy in Rome. Exploring the city on bicycle and eventually the countryside of Italy, he created in colored pencil this, his 41st sketchbook. The sketches start out modestly, small with a single method, and become more developed later on as the momentum of discovery built through the course of the journey. Readers will experience the same sense of discovery as they peruse the pages to find their favorite scene. This book is about growing and experiencing the glories of life; about the passion to know about those that have gone before; about the luxury of time, and setting some of it aside to reflect and to let the other side of the brain take charge, where instinct and intuition reside.

Categories: , ,

William Fain

William Fain is an architect and urban designer with an international reputation and a long list of professional honors. He is a native Californian who took degrees from UC Berkeley (Bachelor of Architecture) and the Harvard Graduate School of Design (Master of Architecture in Urban Design), also spending a term at Manchester University in England. Mr. Fain has practiced architecture and urban planning for over 35 years. He is the managing partner and directs master planning and urban design for Johnson Fain, a firm of 50 architects, planners and interior designers, headquartered in downtown Los Angeles.

Description

This compact and lovely sketch book was created by architect Bill Fain while on a 6-month Fellowship at the American Academy in Rome. Exploring the city on bicycle and eventually the countryside of Italy, he created in colored pencil this, his 41st sketchbook.

“In an age of rapid technological innovation, incessant expediency, digital cameras and computer renderings, the tradition of drawing and assembling an architectural sketchbook seems at once willfully eccentric and charmingly retrograde. But its profound importance to architecture and urban planning endures. For the creative individual, documenting travels through drawing continues to be a valued means of learning to see, understand, and design. By looking again and again, line by line, we discover.”

—Richard Koshalek

“This book is about growing and experiencing the glories of life; about the passion to know about those that have gone before; about the luxury of time, and setting some of it aside to reflect and to let the other side of the brain take charge, where instinct and intuition reside.” –Bill Fain

The sketches start out modestly, small with a single method and become more developed later on as the momentum of discovery built through the course of the journey. The reader will experience the same sense of discovery as they peruse the pages to find their favorite scene.

Related products

japan-a-reverence-for-beauty

Posted on by admin
by Gil Garcetti

Japan: A Reverence for Beauty

$250.00

When Gil Garcetti visited Japan for the first time in 1967, he was struck with how surrounded he was by beauty. Returning many times over the years Garcetti explored the concept of beauty in a project that is now released as a limited edition folio of lush color photographs. Five short essays provide thoughtful commentary on Japanese culture and tradition.

Categories: , ,

Gil Garcetti

Gil’s lifelong love for photography began with his first camera, a gift on his thirteenth birthday from his father, who was a barber in South Los Angeles. Through his photographs, Gil discovered he could share his unique vision of the world, finding beauty in the overlooked, as well as the grand. In addition to his photography, Gil became chairman of the California Science Center Foundation in 2019. He is a producer of the hit CBS series, ALL RISE, having been a producer of the TV series THE CLOSER and MAJOR CRIMES. Gil is a frequent speaker on subjects he photographs and on social change; he is a leader in the effort to eliminate the death penalty in California. He was a teaching Fellow at the Harvard University Kennedy School and President of the LA City Ethics Commission.

Description

When Gil Garcetti visited Japan for the first time in 1967, he was struck with how surrounded he was by beauty. Returning many times over the years Garcetti explored the concept of beauty in a project that is now released as a limited edition folio of lush color photographs. Five short essays provide thoughtful commentary on Japanese culture and tradition.

From the minute texture of moss on wet pavement to the expansive tapestry of an autumn forest; from a spider’s perfect web to the avant-garde skyline of Tokyo; from Shinto rites to stitching kimonos, this book provides the range of scale and breadth of subject matter that give true insight into the Japanese reverence for beauty. Published in two languages, this work reveals to Japanese and Americans alike, the lessons of a legacy of beauty that Japanese culture offers.

Special Edition of 100 in Clamshell with signed print available for $1000

Related products

iron-erecting-the-walt-disney-concert-hall

Posted on by admin
by Gil Garcetti

Iron: Erecting the Walt Disney Concert Hall

$29.95

Photographer Gil Garcetti had unparalleled access to the Walt Disney Concert Hall construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in the moving portraits contained in this book. Garcetti’s evocative images, reproduced in rich duotones, bring to life the romantic ideal of American industry.

Categories: , ,

Gil Garcetti

Gil’s lifelong love for photography began with his first camera, a gift on his thirteenth birthday from his father, who was a barber in South Los Angeles. Through his photographs, Gil discovered he could share his unique vision of the world, finding beauty in the overlooked, as well as the grand. In addition to his photography, Gil became chairman of the California Science Center Foundation in 2019. He is a producer of the hit CBS series, ALL RISE, having been a producer of the TV series THE CLOSER and MAJOR CRIMES. Gil is a frequent speaker on subjects he photographs and on social change; he is a leader in the effort to eliminate the death penalty in California. He was a teaching Fellow at the Harvard University Kennedy School and President of the LA City Ethics Commission.

Description

Photographer Gil Garcetti had unparalleled access to the Walt Disney Concert Hall construction site. The personal relationships he developed with the workers over the course of many months and his admiration for their artistry are evident in the moving portraits contained in this book. Garcetti’s evocative images, reproduced in rich duotones, bring to life the romantic ideal of American industry.

“The Walt Disney Concert Hall will be a feast for your eyes, ears, and spirits. Whether or not you are one of the lucky people who will attend a performance, I hope this book will give you a deeper appreciation for this building. It is the result of the collaborative efforts of various individuals who have great dreams, commitment, stamina, and professional abilities. From the architects to the general contractor, structural engineers, mechanical engineers, electrical engineers, acoustical consultants, theater consultants, landscape architects, and ultimately to the trades people who actually put the building together as you see it, these are the men and women who made this building possible. Perhaps these images will increase the awe and respect you have not just for the building, but also for the people who built it. If so, then this photographic project will indeed have been successful.” —GIL GARCETTI

Related products

images-of-the-gamble-house

Posted on by admin
by Jeanette A. Thomas

Images of the Gamble House: Masterwork of Greene and Greene

$24.95

Rich precision photography using dramatic available light, explores the sublime details of this Craftsman period treasure.

Categories: , , ,

Jeanette A. Thomas

Jeanette A. Thomas (age 66), professor emeritus at Western Illinois University–Quad Cities, a past managing editor of Aquatic Mammals, and Past-President of the Society for Marine Mammalogy, passed away unexpectedly at her home on 16 July 2018. One of the world’s experts on marine mammal communication, sensory behavior, using bioacoustics as a population assessment tool, and behavior enhancement of captive animals, Jeanette was a member of the faculty of WIU for 25 years. She also served there as the founder and director of the Laboratory of Sensory Biology and as Chair of the Faculty Council (1999-2002), and she initiated and coordinated their program offering graduate certificates in Zoo and Aquarium Studies. Not only was Jeanette passionate about her work as an award-winning educator and researcher, she also relished her role as a mentor and friend to her students.

Description

The contagious energy and optimism of the new century spurred architects Charles and Henry Greene and their clients, David and Mary Gamble, to break with tradition in 1907 to create a home that was original and uniquely American. From the circular driveway that lies below the level of the lawn like the bed of a stream, to the furniture and picture frames in the interior, the entire project was conceived as a unified work of art.

The Gamble House is a harmonious composition of related details that become the focus of this unusual book. After an introduction to the Greenes, the Gambles and the house, the reader is taken on a personal, in-depth tour behind the rope stands to examine at close range the artistry and craftsmanship that make this house one of the treasures of the century. Over 100 color photographs using only available light convey the dramatic and ever changing interior of this Arts and Crafts masterpiece. Explore close-up the sterling silver inlaid to precious woods, custom carpets designed to match patterns on rare ceramics, Japanese themed bas relief carved into wall paneling, intricate joinery and delicately pegged furniture. These striking details will be an inspiration to designers and anyone interested in fine craftsmanship.

Related products

if-cars-could-talk

Posted on by admin
by William Fain

If Cars Could Talk

$35.00

IF CARS COULD TALK examines urban environments, how they are born, change and die, and offers fresh approaches to unlocking our cities’ great potential. More than half of the world’s population lives in a city and that number stands to increase. Crafted with the tools gleaned during the author’s 40 years of working as an architect around the world, Fain’s message could not be more timely.

Category:

William Fain

William Fain is an architect and urban designer with an international reputation and a long list of professional honors. He is a native Californian who took degrees from UC Berkeley (Bachelor of Architecture) and the Harvard Graduate School of Design (Master of Architecture in Urban Design), also spending a term at Manchester University in England. Mr. Fain has practiced architecture and urban planning for over 35 years. He is the managing partner and directs master planning and urban design for Johnson Fain, a firm of 50 architects, planners and interior designers, headquartered in downtown Los Angeles.

Description

IF CARS COULD TALK examines urban environments, how they are born, change and die, and offers fresh approaches to unlocking our cities’ great potential. More than half of the world’s population lives in a city and that number stands to increase. Crafted with the tools gleaned during the author’s 40 years of working as an architect around the world, Fain’s message could not be more timely.

More than an urban fi x-it book, If Cars Could Talk presents a call to action to city builders everywhere that major issues threaten our cities and failure to confront them will diminish the quality of life. This collection of hard-hitting, focused essays advances the understanding of the importance of community participation, sustainability and the creation of rich urban neighborhoods. A must-read for city-lovers, professional and amateur alike.

Introduction by Robert Campbell

Related products

iconic-la-stories-of-las-most-memorable-buildings

Posted on by admin
Sold
by Gloria Koenig

Iconic L.A.: Stories of LA’s Most Memorable Buildings

$29.95

Los Angeles is a city of instant recognition. Like characters in a movie, each of the thirteen landmarks of Iconic LA has played a role in an unfolding human drama complete with political intrigue, personal struggle, tragedy and triumph. Their stories are the story of a city in progress, an urban biography that tells a century’s worth of history.

Out of stock

Categories: , , Tag:

Gloria Koenig

Gloria Koenig is a graduate of the UCLA. She was a senior writer and editor at UCLA in the Department of Communications where she contributed regularly to the University’s publications. She has written a novel and a collection of short stories, two of which have won literary prizes. A television series on contemporary topics written and produced by Koenig aired on KCOP, Channel 13 in Los Angeles. Her work has appeared in numerous local and national publications including the Los Angeles Times.

Description

Los Angeles is a city of instant recognition. The thirteen buildings of Iconic LA, identifiable the world over, demonstrate the personality and power of Los Angeles as a major metropolis. Their stories are the story of a city in progress, an urban biography that tells a century’s worth of history.

Like characters in a movie, each of these buildings has played a role in an unfolding human drama complete with intrigue, political struggle, tragedy and triumph. The architect of the Bradbury Building accepted the commission after consulting a Ouija board and was inspired by futuristic novel written in the late 1800’s. Ironically, the Bradbury received popular exposure in the 1984 futuristic-noir film, Bladerunner.

The Jetson-style LAX Theme Building provides an indelible image of one of the world’s busiest airports. On the surface it symbolizes a modern outlook but what is not so apparent is the poignant story of Paul Williams, one of Los Angeles most important African-American architects and his success in difficult social times.

Though Los Angeles is famous for its ‘stars,’ it has long denied the achievement of one of its foremost architectural celebrities: Frank Gehry. His Disney Concert Hall has suffered criticism, public apathy and political frustration. In 1999, construction finally began on what will arguably be the City’s most visible and popular landmarks.

From its dusty beginnings as a mission outpost and rail stop to its status as the ultimate urban laboratory, the climate, open land and the lack of entrenched tradition have always and will continue to contribute to the potential for innovation and invention in this land sometimes called Eden.

Description of book: A large format, hardcover, 9 x 11-1/2 lushly illustrated book with lively histories of 13 of LA’s most iconic buildings. More than striking urban landmarks, these buildings have become symbolic of the entire city of Los Angeles yet few people know the real stories behind them.  Buildings include the LAX theme building, City Hall, and Graumann’s Chinese.

Related products

The Story of Mary Lowther Ranney

Posted on by admin
by Fran Norris Scoble

Her Chosen Path, The Story of Mary Lowther Ranney

For Westridge, the “rest is history.” Much of what defines the essence of Westridge School in its Centennial Year can be found in the values held by Mary Ranney as a teacher, an educational thinker, and as a person. Westridge, and all who have passed through its doors, are in her debt. Her hidden hand has nurtured the dreams of generations and created a lasting legacy.

Categories: ,

Fran Norris Scoble

Fran Norris Scoble was the head of Westridge School for 18 years, from 1990 until her retirement in 2008. During her tenure as head, she knew scattered facts about Mary Lowther Ranney, but realized as the 100-year history was being compiled that she really knew very little about the woman who founded the school. That set her on a quest to learn all that she could about the founder, who was both a refined, conservative Episcopalian from Chicago and a suffragist with a very progressive view of education, art, and architecture. There is still much about Mary Ranney we do not know—and likely will never know—but this slender book reveals the sources of her courageous commitments and her paradoxical imagination; sensibilities that still today define the culture of Westridge School. In 2011, Fran Scoble was named chair of the Westridge Centennial Steering Committee. With assistance and support from many individuals, she has written this biography of Mary Ranney as well as the 100-year history of Westridge School.

Description

The life journey of Mary Lowther Ranney from the late 19th century into the twentieth; from her birthplace in Chicago to Pasadena, California; from teacher to architect to founding headmistress, is remarkable. From the particular perspective of the school she founded, shaped, and led with an intelligent and graceful sensibility for 25 years, her life and work were pivotal. She came of age in Chicago as that city was literally rising from the ashes of the Great Fire of 1871 and was no doubt fascinated by the architectural boom around her. She attended a girls’ Episcopal boarding school, Kemper Hall Academy, in Kenosha, Wisconsin, and then returned to Chicago to become a teacher and enrolled in classes at the recently established University of Chicago.

In 1904, she moved with her parents to Pasadena, California, where she secured a job as a draftsman with the Greene & Greene architectural firm. Just a few short years later, she responded to a request from a group of parents in southwest Pasadena to open a school for girls. For Westridge, the “rest is history.” Much of what defines the essence of Westridge School in its Centennial Year can be found in the values held by Mary Ranney as a teacher, an educational thinker, and as a person. Westridge, and all who have passed through its doors, are in her debt. Her hidden hand has nurtured the dreams of generations and created a lasting legacy.

Related products

ghost-ranch

Posted on by admin
by David Scheinbaum and Janet Russek

Ghost Ranch: Land of Light

$25.00

This beautifully printed book is the culmination of the efforts of a husband-and-wife team of photographers to capture the spectacular, mystical landscape of Georgia O’Keeffe’s Ghost Ranch.

Categories: , ,

David Scheinbaum and Janet Russek

DAVID SCHEINBAUM is professor of art at The Marion Center for Photographic Arts at The College of Santa Fe. He assisted photo-historian Beaumont Newhall for 15 years and currently is co-director of Scheinbaum & Russek Gallery Ltd in Santa Fe, New Mexico. He printed exhibition photographs for Eliot Porter and Beaumont Newhall including several limited edition portfolios and published bodies of work. JANET RUSSEK is co-director of Scheinbaum & Russek Gallery Ltd in Santa Fe, New Mexico. She was assistant to Eliot Porter for 10 years and founded the New Mexico Council on Photography. Widely published and exhibited, her work is in the permanent collections of the Bibliotheque Nationale, Paris, France; Museum of Fine Arts, Santa Fe, New Mexico; The Gernsheim Collection, University of Texas, Austin; The Rockwell Museum, Corning, New York; the Chase Manhattan Bank Collection, New York.

Description

This elegant book is the culmination of the efforts of a husband-and-wife team of photographers to capture the spectacular, mystical landscape of the Southwest that is Ghost Ranch. With exclusive permission to document its rugged beauty over a six-year period, they lugged camera equipment through scorching heat and chest-high banks of snow with these breathtaking results.

Best known as the residence of artist Georgia O’Keeffe, Ghost Ranch has a long and colorful history dating to prehistoric times when the area was settled by the ancestors of the Native American Tewa tribe. Through a series of speculative land owners including a pair of cattle rustlers, it evolved into a desert retreat for artists including Ansel Adams and Georgia O’Keeffe among others. O’Keeffe settled permanently and lived out her life there painting her spiritually charged surroundings.

Printed in a stunning tri-tone method, these images reproduce the hand-toned effects of the original exhibition prints with remarkable clarity and astonishing accuracy. Available both softbound and in a hardbound, limited, collectors’ edition Ghost Ranch: Land of Light will become a favorite of photography connoisseurs as well as anyone who loves the desert Southwest.

Photographs from this book were the subject of an exhibit debuting at The Albuquerque Museum of Art from January to March 1998. From May through July, 1998 it will be shown at Museum of Fine Arts, Museum of New Mexico in Santa Fe. The work will then tour museums and galleries across the United States.

Related products

Contact

Phone

626.460.8339

Email

contact@balconypress.com

Address

812 Fremont, Suite 205

South Pasadena, CA 91030

Updates & News

Subscribe for Balcony Press updates, new releases, event information and more. We promise to only reach out if it’s really important!

© Balcony Media, Inc. 2019

812 Fremont, Suite 205, South Pasadena, CA 91030 626.460.8339 contact@balconypress.com
Orders can be placed online or by calling Balcony Press directly.