C+rۤj"ukkuj[OuhaH0]ov řqXe'g}s^4+X,y,<~XovwamojZT-OOSfk3tzEl 7mVɠqjnU!oVZ[O?-tWVP[nK~omt!TqpNп|_5-R+7҆n rԑ⯜Q%ՉAɺlW]7x2Zf\!sC*{UVX$ڶ[jk )۬.AL77tNھ%)$^Ռ'-]W o 5-a]=zl$Ϟ%a2?6r||% W[Nsqg{umP7&[=ܱ7aྃ|rIdzmls9Y39🾗w?;IsHC1$wõ=h/o8n3pw4 m8}}ІٳN\>6?0]rT՗/x~(=}g|y*؇A~&տsd:/?^$ǯd s>7A~4''=Y)Ju/98OnoI;x54 rx>xZ%[$i$V+E\˴4ͼ6Nؙ3{5>Nw m~ǯ˯*OVO\˪W?^Y[tZWkk/oށvӟϼy Ռћ$mΦ_62)%'{Yh xZL~~ s`Alr_[:Wo9;蔌mT<|mz;kEMF:>~WamV4u%ٙ_V}TΨf撇ɵ#/篘\s vƵz=}mq䇫*7ݫWK~A{QmٳLׯ;~Kop}o'(76zT>7םu$rv󋌠N3rI noQ}cäWu;y}x5+ c:\___8/?pͱWRuxWJ;6ȇچ\U'h&LgoN¸޿_l;N~ԣr EJ^ݤ7̝{vn*Ʊf'n=mAf3 {Kpgx'U;U? Ϟn=>2KN$HjXsY=*dzX}WfJǯw7;d`wx}`;κsv\ne9yc჏8ѮsZn獷?M\% >Yz0Qݳg;DrmVVU0Yy'6M UTtÃ̡9wݟkz:~pg{o>ԷY6F9_~/n}|]L!3_X Ӵm?7,0ˠz}S~(=qxt g;Or/e6yvGn~s ,yy8ԷL_9~ s΁g_OVzЀ6sIPdtI+~~apv 5{v۝}s%hfx[L͝s_5{wwa᎟AQ~T_пΤ@ ZWA2hpuTLm]Uco&d -4(v|w\blFo 5.LV5}~vCdyϾ &͏~~45WRsxm߸V*^Xn90xArgmV~cOV 箼ͽ6vR0FÇo r=^ GiwOyej7ͼaN'·I:iW˴Nr-%gnPg:~Q>)jGCÙw|Sp~wT%(7=oAvzsԜT~Űvѧ_ 'IS/g6h@OI77J(].Iqt`RbM3Ayu?S*O ӛnmO:7Cޣ_痮]GaQj}Ǩ~sn',w3Qu[4];vގ0ͥ 96?>eWyIƸv~ؘ{{Ue73?M3.^3jd{59*okyh;RzN~$vl'wv6vr[P:Uon:xŤ_94[9/ؓ_j;Ѝ՜UE~,l~  _o˧s4mogRJ~**xyɃN@l?Ϟ3姗{/nwZoAϿ|vh$?q~#~wqIx"uU>mJ3/d0^+OSwqGyL٧Jr$4~_WN2]||E޶qx{F~[/ئJԛ+ 7t}P浩WuQ{?/oxܨlL'5oFSASC~b%]|2p?N޳Oӟ~R>{ۿ}Q _<O;}={[~41vjTGiuESN8~wMF>\>M"AtCÆ[^~of{/߼39?| }:zn׿Ca$~AɀM/E^ ,Oq95okQ b+Z^q}\N;_;*P8wO?cܓۙ?}}9IctSpz Fy]7`6&]mCՃCw}3򹠟ݖ1puk%}㦁=HO3orbw;;Iomlu*_G`۟aj6$I|%n}ؔF/g)ןos.o'ַ$Ƈ:Ugz6t-hF`͸v~i$;ʤ~gdh7ec|s*#~T_4fb޽ jIp|d09m7Ѡ_cZ5,QƟ*7.Hћ{\h7ay8̟ӯRW' П'A"`17ce~?~#?L{&!M7'dc&7¿w<s^<?|ld|S;YcM~jF*(A{E75k.&E8?hNm~Փ|76èA淭J|m~HxZx6߿/;ڭ_'}Ww;jwD9ポz}.g7ʺ~8Y+ofO{۳z*]3_7ٚV6^T)CnWw?OJGkI2Z9ɞXٓ_w>{v>?>Un;~m&)qm̾:^U־YGӝGgggidU_7ŕ㗜wWRoDmԺzuR^^=S9J}}tv!|y{zzv*S!snjɫᡵewE/VVDzJ[9ngg7ﯛlΪM+jv3˾})'bykoO/ suUN[E3+Jwcxv=߿Nl_NVV\rfZ{GWB%]rjnoKbٙz;~~kG~|Wz{~YrrǽZUo}vwoͳ3̩j'uQ_wkϟ:ﳧ篒Ǎݫޫ—z拷VΞbS=3 VO ^IVWrˇ'W+v+Ƶo[ULc[Sy=$*'U]走{ʺkoOi滳gۯ7_m\_:i/]w라fi/+욫Q%'5_\ys]8v~|toNkGbV^hGޕSwwo>nNuWo^E+f[N~V}?||t%0R=}rvؖo⛃f f{ߌR=9rwO%uUV?~]7{kWjRv\ٳŽ>:V|+'ٳ}煒wp|-_nmΞ+5v[g'6߼tͻoFI|~9SZz^S}+yקk$o6'kD}uBvu\^:%z]Wʛggܤ؟\t7u1q}gm*磌'V<>(߬~?յϟE-쥟%+ty[J8G'Wޛ篏O'EoдT۔+ou*}R2kiU+/(s䝝mΛi㒺}sPy,^>)vu}a]*gg{Κ;;/kwjowUhڮu)?>vVίןfg5ղwk{C_Ӵ7o[96*V?T9]Ͼqޟ=[ѴdBNIzNN[J%ޯkҧ݃Wzk:NZ917K/l48zf@1k΋Z˫ޫgۯB9>O]Uܒ&O_*j糐\ ηno{[?~zST٫gS{7΃ʫj*+E*|}gn {c/#or]?.yq"}k*;G߽l:syB8:_InٕU~q熗4>`y,U?ٳuf;&wfiөT{VvvEvuxi|I~^?^WoYOJi]~~cEݾSo5իο%Dzҟz۝ՏzX}#VVVg<(M-}d/idoWǻk_9R|Ws˚7﷝'lW\jXNl_Hgg̿nc7}ΫݗVʯKh:ez~ve=m^m_9+:^9zJ}Y3~(XryqS%uEzߒʗD/{W+ӣ7WYkιw,~j,/>vRŋͬÝӃW~|yѭ}W˯Գgu_yw|Kzg st^ٳoҡegxWU]rRqvJ=ܹ՗J\=)K7UZOjJ:o~~Xv;enѾµVK{Ͳ_暓nV~e3_otGZ-M~zZYGjnS6Fӫ`Gtj]重#8 X;!|7d66^#pZNC79t.tѐnu4 L4OOB]a0ZLw-wSGeɗXќ#|cq9^0O?F?w+Ss*o~" W܌M&܆݄'{S0|t#;b7ߏ՜ya-ov[R1r=Wm&KSXשD~\`i2!'SӍQ3ia2>4?qqhd`&g>6[ƃ-NԃMͿ3{1]s}~ݥ8 9u`|K0A~" ֶVWE }4]vvg郼-q_t qzWz%a}Dqzbd&c2vlN~ =A]>7/3Zy0 K +N%LN]}rlJ_'Կ?3f7>9]jeg֒kX6=q.Gt 囅w*@wz0ib4={ϓ=0aW|ma{~4bRR:wPh. 7χwQSyZ J 6:Ch܃ca&U_ON6>T}E~xbw3<_oyNpCpӛ/K?_e|/N"o2oBx<uLQ<%iS7K,gBUعsSCS˘^}<5d]jj{3woS[2smLVMfF9cެ8 vOZn&v.{mS5'yq0owǹ8.p?ϿNPnk:_5dp35tti}MqP?yK(HS369Ġ^ }38q/[>/ MNJ<ZjP>f"xȍ6̮v3`]>EC*Y&~fo ػn7c{"c;zʨ",mKqL?U̚O窛x*os- R}z? @??0D_ S'{S?hA[z7spS(Fppo1|M+t'Z}w%Mcï}?uX[11vں_ӵg_-e+_N[A_Z~6qcr}dZrwF3Oo0Cr?9^SdN>88ߍw|8ad|8-rǙe"xUJ2.}iIѓ~|co7RɵḟCc\lpz`P^q~|-vA {xl+_7.x#ˍzwA.W1虝'qK=erӯӧ_G{X kỵrjXRS^3y_4}x݆{}yoF Y׹zTF>:{g"ߟ9yн;/A3~&?/G`#IO^{:.!}q}`^g|荿wL}h+%Npq ]Nn 62S//| _~ Gs׮];0&lmg6(m=ߟxv_Sho_rn_\*)?٥=K`7͚{e/i]2ug_?> _^__n_VXI{og >_~v¯/;w=eYWl}Z Yz?땫>p!L_huk/w֓' -)xܺe ][i o=a}M\w/QoYDky~Eܩ1eQRqIɣ qk%GU<]US{?5{߅e:^syY WeRvf'ECr\EӰlM=!ZN=8]x}J*Um(Vߒ(4GqI Vp; U4M'eF CߛuIgR hwEٹF^H O1iϿ:M\u<~1laXRהM%u`n)F0JKTVKlZqz|3<5ԬU;_0Zm4?-:1}Ue}d=WZeObTQY;Å\C ÃWHIN{~?z1{1.gg, }=[.-?K&c|F}ծmvjPbT6srM.ԢQ*ZwWk۫ztE ^wLs\,Z2*rԭ^O"g$@8:29F7@Ty8 ]`TKnmѻ1=l!yn{"|?b63- dDR cnA5{VԻ)ciwjRV7O EKU5|A -:CA7b: #G`?eX\U2-d@8O2$FfoB1B|/up\p5[3#F9X BN1~[+j[;DȪtfMG'NE0UF V/[gjuR b%bup)WH! c]nn3<0+lYN|3 Z,,ܔ>MRፐv%Qx" E,ipoYdYE^Kg9aBN`!$'lrcKtKM򬢥%=b1`v )۬.A#wP&قmDB\4lz a] VCwm\\jUW6T=Rh> ۲–Ez0yz˺+wJ9y[ʻbT,@ac鬦R' 5єzhXz_vd]`)XDdؽ( ltԴg k"v,ec>`\lj v/sfígZ3%$.e/ @))6keQ%C{)QŪ% b + WWsŭ'20Dh4؍ti:JIm[9çO?KPN?ij[aM9J nϹl˕J&VIv(@4eNS9fhϽc Gv]]S]sVq-ìą=2p_鷣I(,!$EXp=6bZVfj [(0Ub<]eVY Ƕ+ka}oE>R3  1*G#{̳Sǁh[“k :@ʽ[+eImB/vA6F5yX:)xTf0:uKX#LѸ" H.PI]Ex)=Ui"$"#qI8V}:Wew Wزi)]x~KmDIp`$(<+Wͯ03 –DnYI`Rht@' hK"d JDlGPөpg5XS1'e'u[,]pIP^H_?uK&㻦ckśBڪXn,v%ere`^ݝe/0`WlGؼq=ā1U]%(~6ŌDBB,0Ɩ@TUVqz^E1ZBy??3Inj"WRP{G_aj22|=H vZ횐Vۅr4SRJd4DPm*Z=ْDwBՋ&Y "pd`lGowdcYZۼuow[<|?/26m?G3Vڪ6u+t^?X J\8N(K%ڭnn%}Nk X!Mhuϴ^ձI4k;I,X_Uj&oX0+fWJۗvX 8JJmb:!UVQ6Ke a~G?ʿD N`׈jb|xה(fBz!7<uo/{46"n@D5. h OIUk9fֳr`@XjW.jYzJ6;b@(BH`<a1 DDXٝ>u1# ,CU__i>.@jiI R\2C@D>0T6Ysr//Q" F畊~a9)$  NAHBY,W6̘ \%?td>@Dl1z+*;)Q!RL ,6&AXB*Um(Ff2q0׿_"[]ol>1wqј^aq"P\@XmzU ņVgJ a^5ܺ„ b EۺOWP X4b,A_I-RzOb [F>t] г/v׵AZzFI%%E#%?$`!X xdpl0hLGVSw=!q-}aM.O@DNBM/$޾z]IpV.嬮銮8o7a^%޲r1Z_U[-˻+j˦Ӄ#,"yn"Hbv{e]T2|J -l'4- 7iC2!ݩQW?F7I XɼC4al1M Vά%zu.DG_ҥkҙ+Yrm5iZjl>H,aɮ?!L fM8uQ}\,{"3uzaj;D l>+?[\3c:1 DYB ,FDHs]{PX 0YZ-= ~ KM dH=`<4E& D9v٩Zɶ\v1(9k /X`??%,CX+mVKZG:fXJ.pBH}AmJnUIKRfjj{ SC; S2 S6oOX`=BP?=~kCOoLr D_GbgxUdR7 vM&EZX C}a +?"0v6Bݮ8>[#:c:RnZϧ͚Y˦ƘDXhzJ /=-cUkymł2 D&`Gk`ьipk;rEqe%& h6Nzh&YUKMH.XFo$@6` C,ZУ U_ oTsa@T݊Aux\Md1n:W |$ @d{KHSWDR{%JiܾHT񶲙t.a5ܬyT7d)c}XR^(- S7vnLʹオgRr-sT393[-3=%i诱eUy- DvuQ~ynf=A8+Jc#'̎@ˢ0FH :]vR xd)1(/D@&em-sX=rZynY4<+4c ZضjK^AbKmHjV˫fhL*⨉ Z^۵ DXױx¬fCxiA8̲uYFlY,Agskݮ( cFr[UΛNi-w/ Yu9Xmȗ[/yn|#%8B 6~E\Һ> `AHEٹF^H O1i]\(X^ǵ2(%!H=cMYCxl؈7s6߽ [BHDJ EQJggr ,+ H#64,x=bynŮi|w "hz}!ׁ-sFENoJ/lZ:.7ΨVgqaTZd[S2żaND]MVD"Gn ;Q"QWVm+HDѼji6= 6j]a"NJ u&~7 ϬątB"qNX6l-SwۃtowA߮ sKRL*i`I#mc R6{'e'u[S@dc{X4ujfn^.%Ij 8URL fM8uQ 7;rߨ ) S+|{S)ipfk۸LF"u'NTf%X2$ XLWe-]Ls^5h\VOK؝މ:+ sfF,N$Y{Y c 1laXRהM%uGRt4 ,V|6.+`ta1iK&jtmxՎoYnըW&`Jn!qe REj<Deڝ +tR,mR2-v0Bƪ8"lex`H3릯De.l@al@A @"wc{Umb1vm )۬.A#dU5q.hrC8~ ۛ>9a,5rNf?P^OiJ4ldt2NJ"$z]Sqv1~ {`L"*af3@4̭XB|VM"% OTGtieVnrN9BD4*z.* ??5E "g:Amf'=ڨKސo6bQD89/xFhBvM&X4x B9v5DMy 5] 6H2siďz?"`Um}LMwWgL+ 6^K+ {+?Q[͚gěc&FvZCX3 쨛&RjCң};H!@( *w Dwrٴ̈HRzAOkftvfz 'ҲD^sL;tK )";vgc *Rn/4*07&?Nf?[6|M% [잎̰,—RO^z3P#"jn:_Je74ږu wQYg\Y3:gبbiU@T= !~YOt&N b],$62bchηYDeъ6  N6C͉ԶDžƪ%@X\ao! ET7qA[ә<(G6CQxvq~ 6?Ħ3a"<~.Ө#R2)%UɨٌJTJOe2Q!S|.Q Wil0ۻǯ?}{.rtyPlW>WvѺd=*S]9DֈXxB]]GvK(h0Ł1=L,Syn_δ&!~Nlmix\ﵐ)ZrOIp6FExBX Deu<*1hKù|Bba݅!`\ݪwitzV+e TlHGA Ȓ(orHL#,?OICW& `Lj)5+BhXi/߈owgBUq6GF_V] |456iꆭǦ ]$KQ)RY-]hIfǿRT@Yy@K*7i\@d%b V[l(פŲ-6,)8#EN" LV:.)p8WaQW!txVNM-+o:Ek5J:Y^(Uݞ#=@kZ+8>j{7n?+h&*QElвnQBX'Orj).L7gEaKaCmȠ*ZY!!H6F$X)3F#UhzA8lЅNǻ^[.*@4\ߋ-jy`!^l:jZJ3^_PC~oAR82bX15tli b4,'LeMX:KzZ^۵I3Y{._ǒa([Ֆ7Z}۬[US{T@4GARJ})#dEǀ EX UOWlAZ|+;<؅E4!xgKQ2-Bw2ɸVi-c?\ubױDnv1ؘ- ¡ 5BpB]B?#>\q u"8aa 'L c{C`_@;b{wt'up?%ZePEUJd5 ˆn؜ޝءJBu82*f:v3lO[ʢ̕ynZ{T!e֑҅t9hv* hXDU*e.Y,оۨVi+v$ ?X?0Q%.4V֪lڿiѾ@tĀ{STi KkHӭ穢9MьO6Xb]ªʪjH3Њ[2*]z.:m\vee(޸lv]'(Nv}҆@rʖWKeY5֔h@; Tm(4P:5s,<6F`fXYwZ1"t{i2oՆoTm*"-v%('mm1!`ѕ֤ZO}:k4:FBba1HAl!,5s$½V18l?ʙV(bvIp2]Cmӫ:tR~`JSN(ABHR$ nV8( xdl*5Sesr[qޠg7 el^uR bmś!yM&/Qi E1KM/+RbM ]h N(!i rKz&tE%jft453o=_b0_p]?Ag,,E,JoJV AH!RY-]hIfGP4Il:jZJ3^_HeE1Z[ˌ"f\R4Y\'}Γ'B@46I iP "R\`mek7cF#^)[)MEUWKL|2 ."Qy= s1.AX0,E,4.eW4 :U,>EOs d]:@TLmh1`W|t  R`)~˸L" t{u>J$HCsZ\gN\!IH\3]18n|1hMl=;X06&>,,TJٚV%Xmfu}t`1Qb x\fGHIV0#j0ho¢PHftu$]nIx&rTdk BbI,YF%`A+ZMT*v)ߗNs,T`S @D%JZZuɺ "l@[@J 56B2D2|=H vZ0.2qDc~'$1,˃$Id-[(zzkp &Ipcy0>h $9;'XJh.Da~ ,0Fyp)K," pZ ~uH "-)jSrU#E}LlwXS>ٔ-[zz.f+VT%` -KK xұ@$V'jzZoN)aW)qYiYM߫vܟ&>^=v߲$Ei'UK$47{$i7g坦Wu&4+ " t%"9<kym&HkhJmё;N:Bz^PI,u47DV\d~S`ɝT F5=E_Cn Э4r?2*#cI ,x7a ڶ9mGZպzЗ B/vA6F5)qIXn䫵є2z<4t-TbBX i` ?`I"BzI s$Bfym `I7q(~Lb!=p>3ru{zNAG6%GEóN38x>z{$™ H ljF*E Qiru,Vjf0$F\ZYvJ^LRU)Y~Ԓ O&(lۼ,UH$/[ޟL>y @R\Kl13`V8` /5 @$vH 0D:/mӫ:vЋ@ֳ}Uc,hyW5㉮)3F#Uhz[,ݮsj@8|_Rg `ŏkrdX[ҥ9uRbmŋVj[ř}粪H/!i D>?$Mbtɩ/SC[`ҹv1F DD*8/cS`f4DŽU@T'HR cq""@$n*8d!qB-,J|v/q 6Vl;2`a c`\k@Hv^ŮcE}ϴ,,@$17"}D`ify۳/ҠԐrw S) )&'ba G>8aq.º3%^O 0X!7i'AHk"\s1!l;߯L'ќn^HonKQj$sDD5[(kzFU$ jr&լ!h9, Fl`ש3xN4|&i!{v & HG*u:(<23&\lrl(KρK1Z;}{`,E[mս]F[4X` ul:jZJ3^_P4I9+a=}J ٛT9Ed-Xn3o[=/2+V]…-w+jitaVnUGG<0ou,nYMh[X5qU2(ROYz!DGP;iUNs;aq!B]yiw u,bH u6H#RնVXgȰzaO~]Cr`X3I DJ+T-URbmKFeh;aeL'܌2,Ip<1^Dmڗz,T/W/Djj4ϲkxFڨz7=DbK%tOWtU9e/mv{*e$j7o)m9bi+RD)75wd5Gheɀ-M^5Ƚ*Z-_l/a?"ʫKj BTd6 G,0a=-,$0Q|3?v>}t2[OZHDR0nKu!U%RY-]hIfGP4IIWdQskRXE)K)E.6Lt݊m{*ԷL.7^݋v"o=h#ˬX, "L*d@v]uU&C"!/h0NZk5!'s\dbJ}PLJυ2eXgjfDAiU [2R6RiwJfpLrek l ̳{n© ɀpz3[od+<=cAQHxt4;DрAUItE,IKPvjٞp9)[N5*˒*vVysp7+-^D }gf vYjfN*kN{>4~IwX!n&?#rl "7H  v9Z7]@PU\?}Jz!ʆ06:7ɒ$3:V~4G6PR1 Ba:ڤri>˒wWPXт1XltjT=tu .fS#i]ۑ١}YR5H3Ey\Z *# 5(psR/WAR6!m!JzMQ0iլږ LuMꕲb.Q73={kQJ3 T5 q "[ 2$xx[}MfL eR" ѻД/TIHIk~azfư$V#?O:X,J\8N(ԭxX6l<q2|=H vZp?SK$Śb X !,gZMؤ_ء"9 G!3M\Pj&6KozʫHMd2Z-ޱ-QmUͺoUǭz˶նYR\N<~Iq:^vPn.:X̵-E"r ߆:6~Qi;a[o "e{a [ʻbT,@']x QoYM-"DujZ_KZv4tvť([uU.+ /tJZ^uP=:@4q gY셖fG>X`w`@{ Q؎K$!+ۘK9i$"1ߣ/ID*T`)j"t ױX8Kح K4 ,ZQHftu$]nA2,""&3#$¶I3dv6NUN*u6p"55wwe SxإfZeYOɚwL*jt ꒺|;e2TUX&b.Uje Nj d,U<]US FJEAZ$\X. Gѐ!k(la3*.>In#>?[ 6B! cd0r;\-ZO]xnyna^4k4+D~gK{n4UO{[wm2 Dhrs,]nH*p~ͺ?.۶lxwz^V=7kʶiH Fܦk,ϬM^Lq%?c;*a;0 6>hmn ZkqyIw3r ltԴgd kvBǹtYQJmMi i!j)>kJOz,Ik#V2ekU=+v볛9kĶ!k q7K3*ftꌳ#uSڣav1Ix$4'eeGv5JєtGrtJm l?OkjIVIi='uYhH7 DW'Jt:en h5@TXƸfOBiWqӱ[a{2b:_OX/۟>%UN!e֑҅t9hvX_ :q̖lVlv25:wSoLu;JtRd,#Za ?1z "4wSJ& hKA' ? u gza}]٥vv@)"5<2""`>z7wVk3%`E%̮K&N387dzI&ǟ bq0X(Ss=H`шh ٹ)70w-DUJ{V5Ē "׷[>TWNmԤ1ܒʨJMT !401-SK,Sh3 Ȳ˗rp& Uѵ `i_}ST^M썃rQSXL+n%qL9bx Up$~[1Q ˪^6bmgC3]m[b.(M5Ŷ %?0)j[V]R "$",iYQcAj/x&'bV_EV*xNd% Z@d]7>Џ "g3wbPL0K ӛ;?2S2%6PX&2Kw``9'lsVl{4o@vMAHm%Rᰗ8\,ӭ~Y6UdCؒ/3h0`).nּsӊN*gbTp`./8(^eNv'yF|d1bI=Y= "Cڇ 7D  qI VLZiiDp NjJYk ^B FH.znzihRq)Bk`qujhU|F$A؞F&4iDB;2+ "CX2 ea4fLk!-/4c 3G1lmDd2'ƍVWXZ8E5Z$1ZQI.r}PvޥQYS _I ,@A6r霋,_!zNW\ o;/#mMIw.ZMtۖ䉸-d0 2A#tRat<ϻ0ࢻQ!OEٹF^H O1iz$銮Ꝓ_z_3zv!$Zk~״(χ!~)j6Pxd~5]*nSmdtGVg1~IVOeڶт꠭3Ry2XRm+e^8tN'E6DMjz,XjYЋZRyExZ#,\"k E֪W~)"˜$5(Vs]^k&!b.(djoTY^h$w<*w!YY~8B! Htc-t0)3B|(GgS)qJlhuմ%$X zXZMT*v)ߗNzz7 D*_?,3 `` KwM K)~b G:q),Q,TVk$ƇGX ltԴgI a".A!v$,F{=ׇaCbr3$lHXqz^V=7kʶiH̜vm,ultVxwUs!OI ʤ5cqp-+5 WPU#*o9x4%vٱhi&&abZY!)ΟȰE3ZHN-o~` `ߥm;LәV|e ]t~(68y|k#N6΋yh&{C)Bb|@AYsgwԹ+}U Ksf{>tA8 {-{ \!hD򚃨,8??4@8C{K]}.m?uE@Ds9 `۶ScX2?9:-/؞e{quS abоsljcnvFGºw+#H)*Nmq_"I5|4@Ȟ~u ,N+: Bo!q 1"8yXP܇^ǵ NV7ϽYQ1Coߴ=FH& ́Eu@y 29[gjMr)~W`8c!}AYA`q_ V&ϝ Ŭ2LI: k2 }8VPO;O|?MGD0v"V/kڍ&j{MV0?ڌ}Q`Qfy%kBHX`<2iIՌع7f4Y% am 57{htQ,;mf.>z ^- 28DZ ̉)+& +kRO)¢"r'TB.FzQܲĚ{ o0+f2Ic[|̛%+@(Obs}"!,_4ݬyy!:]{-ƌNj]v\M@4uR0+X#` 8OB45_V14C DՋ[}x|oE@DdP,P yl*6zvG4CE, [&X|1sdA핋La)!{od<ìċgV2jruSԁ4ve(I; N_i`0\Km+Bʥ`&[Jh8e5u6WQ% '"rC{^j$@8[#27\ ~wֳlb1Vl~AJ_ Xގ߿FH3e%4W^"uڀ@Dhf~emc37d(@),AY\*Q4vsLDQh7ӲQu9 MBh]_wŨhXq aF4%HJ}-{Z,k][EM 펖{Q-Gln=Fawxu&3)"mD!5H=%& !1xdctE-7AvNL-l+8?D%XfҌ",F VѪ[w^ձfO3WR a>}B:͢=E^Bp\kحe{.V!ePpjE[2]TiִwڕMP]{4S!ee5V$,i AkҺt"KFeQjq#XR6>">&,a˖Ґ lڲU>e}B $8ew!]][TϯeYJEG k`472&]yB>3pYeo05Kb5́3ȉtVޮ z|hg* D%b}l8-=Ⱥ jQUyYqL)؛_W?^__{׆j 4P(K~?@yk^4JBE9Q2|Ai_ 4(*,7^_(odu[gI i vo %A^1V2Y"@wJɶ'4Rʍ1v0uz5Y" Pwlg(jcҟv$v+tJY/tkmͲl-XAB Mh/'mV]^ЏsA*$],rzf{s{eNNpޞȹxpQR2\)tpr{{.%|5>پw{ãPޮ]"fG8SvhfS=Ml.3Ӈš<}|jc@^~l]bl87{~aϥS1 5`%D^M^QjJ3ݮ;5+#|ǏPӦT6M.`ZmN5%X9ٕB>SC5+Rl!/9[vNQv@~!~{y8{Ӿw^#tsouoA=qg[%28dB&ƅ+|ɥj8}n3dF4E7[=bP]oZYч1HFV.ƽhy]\fPr6 KgE&NN3gٮL*[-n/(K~?r~4$j\)j?JQ2 KuiɽBvd= $*ۙiV˱rswie>Dou{6cU$ 3(,,?ғٟ V g۝?]n/NFysQa,LU)T/PպL29M{/l6́CMWʇ(6m|zmkz}M| 8lgoxpnb϶}ïW9/sy,8&14dn>:"[rmBļ2K@N9:~ǣl/dDIH ?VGtxݵ 41~ӜxWۻo%@U[K5,0cv6|{0L33?C.Fj_yi:m|,ޒWVjtա(zFIݵ#(@%3*Bd}Yv@ݮSՠJN议k<ȢY-<"[?PF|;ܨ]9~k4~0"@%J(T?'*@%}??uUb{̱g!1)֋b57뿾߾˝_wteC+N/6rs\x HDO*h٫A53IkoHg{8w%Ψ fKp-vn29*Hp_0"k6.|(mZwAo`y$-'ɺv֟NcӜǭhwe*7|}ji&`D G^ _ωPF1_KךcnX@^n+Nѓ2txb8+R? x&4Jym2Ut:Ks~Yq%H"JJLzUф ,'uWǫk4j4&I^l]6"r*nF^ܢy>QNH@UK2 (Mt$ 9_P@: D#0 Hz[(*3ÝtڻHk? Wʇһt!Fi,gѬǑW˽:I)*BnV2 egI wdۍEP5o1bX"9ˣ۲T2d8.wI`ҢҨqP#.@u{ A&CP @U6gxqXkN˦@&El VoKk???i0F GX8]>O䞌@n@9/'BcY-; 퐥\-2b{nV"Sk%Q0 :MH:oU!#\pTD{ қaϝg޼9 "p]ug>$T#HB;~9[ǿjԵIPǹ@x8AΣG!+ UӍHi $#IEV }:ҷNw}:.7,Ԍq|fDӵrpY}d(hA] ,^$(4Q0V yI3FI"Bg+e[f @%v;\"ȹVԌ _ @%.8O7v8Yy9uZ6@ܐ >)m$ꪛ R3U50)!p:CpC;=+]MzQ^YWt j)7 g@e8,Z@֧[Sd '^ׯf[׾߿Ⱎ3tFkye&ՓjaO /|: ^x1%HھVx=>\yj?(8n}o(B\_8!Jw$R۾a4J? 5b9ʀD j^uo{s?pLp^\>!`9Z$'A BT#*Q8TnȺr >FhR=Cv'/8 n-oAN7xOAMEJ*-Qn9{@eO[^9l߽rxՈWVTt5ceZO;(Xiwgt:J@czuu}M JmS,I+s?DK;@jC0WT(\ux5'ۇ2Nnr2}3u8*Z~SHvgrJO ꟷ)qs@tVw!U'oߟٕrXw۶um$( ׶+Q*Zr @w۝& GIL}./0J8u%ԏ$nܮn^EON6 ҸUnܪ,rYfQBF@&2K$4fGcEaPٗ7C8oaL"J5 otٟ8v/:Z Z ֕+sC-dQ. YR즾J&Bs}M gwQ]BңGX+o&Aᚳl9穁m-[ 6[pwudفj\)px黣pqk?YMZs'3t՗G yPu$8 JMc'Ip Ywi/9T B#m}wţsxfW ʷ@UzO{tƒ@E"1ЖVZ.Bkn?#4u\ˏ?ɅTAPiԫաNoFNcbTjQkj28r_Ǜ_~}K#jDP;|@!}w:35zt9rrk:D*]*g~rv 9>tEgۚ&̈́$$U@NcEzяuJT/ yEAXQv;@+vO^v$fڞŭ⾺5=)#k8#352]况rN{\ HN42 k4um'/p*z;46s j:O-dޣ-o(TUDQfzA$jVH{//U`%TDQ6$(4!^2ž 8/Tc[ Fa9M{/l6́CM(Q-gݧW_m|WuW?ɲh_~<,#Z .2n5zu+r8aHЏsQ4~0"@%490Tʉ4~.*!i{Aԋqޕ]RV}Z&oViRDI): K QOuNR\du՝jNk笰R2 O^8N 姷Y[f@Uڇ)lq)mq1M:pP_~= -E Ni ɸ?ò0C{f2[?آz%n{ȐTU/,$xBգ51 M8-[g<|O/e`Lgvn,5#PaEaͺkjvvnf0s}Ň|=/Rڃ^k2)?h @`J pO.0Um:j1:\H<Mb^*֚k:vj'A I@>nۺ?Sٶ%/X;w d]$*w /3/KXNꮎ7ԣF:_8F,q1Loz/w~iּ̽;y ~{O;m6mnjzVqBIE8Wg3^޽Q8PƨH&)-"T }|ciת P n>NTgSW?&DpΊ᰼*j4vZDުtrE2lq, U@UnKqZűdiӾ?PjHތtc6hf9qI RtTdPTa @D`Ƌr:h;-5]ӟn冸AӫU fEt_0])y'KT$,n Z-嵚;_ {rT#p(|Nv8,FŴ:!JmHҢX@͆w=wt,CFhJl^@mAj{lB5{N ]ՌOUp!c9 C^2žע B|(/oY3L(; 5g],QF@7,]KG@5~4$gŐtEJ-ˍ2 u2\C+Gnjc@ K^@U.)e)^fQv`۩jv|E&B^8:j=Wbii87ۗXOH$QW]rN}kSTb#1kϙz6wU_ֵ~o-ڏ~Vܻ΋~AvA]_Yib帞)f̧٦N@>pvV.rMtҊnsMtO4Hm jr;O;|M @hS YAi,jpXۦ ͺ.2g7ym3bgyVdc*Ih/.+l38ǏՋ+Re"ʷeZlͫaV.JH3B8 n!']&x D, 7,K9]e9fPw i/y2$iVtg*qݤ:TTi8L)qm3ϕ8T@sAJPo TBx6G/q}wҦRSY{+!@={5:N \N $qnQA@SQ7,JzZ\_9{ <{:l'A%x"ƀUq} ΀8S3 C<[}gVElOUf)kɊJCp@rv$ÛrzV9v+fW޲xq].pY'Eu8Po׶@N&2KuSIJ΂Uw2N!'OP\+S I4$ڜ3ęÖ3錈@rs״Wm۰Ydhޙ \{<׳:g KqqfW^[٢5ʶ+3u@U<+ᅉɛ'uvZn z]_odjn;O83v$z;UG^b?J_i8"!/zv:P+RzfQQG^=L>hKo{S&:*ۇ7 l[(/?v9M&M7 pf\s@3Vjo l}?mo'Ho3x=[͵f/`㹚LlzjAc{HGwfj~6DCkjWkÿJ?~**Z[R띙[Uz>5(QӎܣvCDHݟn2ZMi="P T5穁_#U{3Ơ,'9EWTE-4Og$,7^_(opb[dgfoIH *w'lDN\w;q|f_Ls6UshY鬌!J)5a*>1!@ݴ b9Mm>I< Y9$5kr@n1yw]Aٜz?:j>eu٦0de(O;MQqs9̗sa&R;BO{Hxb=gN BWLh(f+Nh\,F+[פ&>Atٶ;༔"Z]x|k`%e2wANkx=[͵f/`4\Xw kӅUYY$CiwϷr &BTbgEx}2'OۺÛp ߰}3ҥߏKK\[/e7dݳ i{Km-!*oRW@xg/ P eP91 kʦ6zΌfWJ@C 1*r^w{5^pbPKp-vУҩY=|"~Oe9VLm?qۏRǹ`Pe|8e~]HP 734Zo)%P{;/%-<$@@E^eP7-QNp@wA!kێRI RQ2E8m.(tJTfhuFB $$?#7?1DdiriW/hT!ZPQ IBZ&2K:4u!nEQ8vk6Q6iMEPfH^~IB͐!s403&Ԯ(Fz뛷煮T;B'i ]@ΣGEݲB@i4f7$vw E dn?&@%82+@UksgJԂ@hf 'A'rk̝ef53|r_k:i "\,6K=K:`Mބ? =I>wjxV0$q7 @4Rlr: pt5 _FGquRgoo$<j1PL q ' 8DNF@EF@s#Mw@HnCjw&b^/s;w5{k\NFNl:ǃ)BT"L3#TB#[8߽TN ^l`[|j!ԌGQ< 83 Tcb9l i оҋX#{q znK1~!~VߨP(~X/NIPY^,w"T$E%;PFnEN<''Yjq. Tz G`ԋ&4#*"@6`˽f)\)`j^!"?i&{#tGQ( EVUP>j,u Bҕr'5Ik%~|ע@ӥ<YlDl:(ɹdm3HmVSaW ?~lOI{?rם:m:m.I,gE/(Ai,4ۡ$"ތtc6hf9qI 2JjvE GfoYn.Q8߬ rmw0aGtu[=} ĬR.+K!ɽ)|nx2 kjsO$XxE+[Z3QYQ`Pƨ?كheVu=)dE|ԋ.]U",cQBFdc(a+]q/??Q]M7b358 *]vmoM[CȺRxN#,.=kޢVE!aܞi .yڋ&?3Z\),T1b'pXǫd2a@5Le 9;4nWl z*3$ pt5 _'diQ(ML4ۣe!j{! __bf5],BQDx;ݐg97$T01P/@E"!dy;lkWɲ8ݞlfް?oMf>^Pi{I .h5fq9\gt+5>|@B>WzR iW[:!udQ83- 2dͶ{l16~=j3B^*Z=CgTRyo]c=䰹lN)/<|rix?iFԸQ]v(*w#_Bei>/D66򏾃^q*s[0 upS۳ |b5X,Něr;W<|y1Rֶ~<qfwGaVcvCWiNj&Q^dvEn^@ +qY2Q *\Q)8;/P7 pfܖAPǏng,u.ڣ7h IJ"o?x!\-Z0|}GՃm{;Y|H)nz;"]=8P (l7gEkezDeψ ^ ֩n0̈́ThuYiidϽvQ3KTոb @+>ݵY9I =Ë[PkbT"$s^vUI%6!I [8'5Z;8DtUެ={FNI0 rD{Y֦mg1oCmJWި} Ev>jvXa ԍcN2]Wi *p?{MӷﴘPO(x =R?c?Ê<nID&2Kz&|: ["|jeQUy,hj2Fzao67H8P"!ng{;RɆ/75G {ϋ^Kzk?͞_X۶5Sz-b')7qpɃSp _zO~oi5q[KBKE?= D[&!@Γ9/Խn[o?Ya@U9@mj쮂ڦ݀Y)g䈀jK#?nT!`j[UD>siۺ_N@8k>@O8'*i4,-,Gjg I8{:\}{ϥLT8/WJfF@Ų9qFrᚻ-oCݮ7ʅ3XM[|~4vXMmS-]'yTՠoBkk"TN^v)y5 ҤRt[7 :p ?@v/];{=<.,U& 83ϑ\r?\SkGt?x{[;1*% ep. TFQ?4ykⶄ,泅pPEHjLie&ɪոRT|=?Ӻ)P>l3fw(j&2KO;VI.%,Rj6|bcQ^s,!3Sdk wԀDᶱ@Q"^6fԍצi~RhGq;Ly8w7b.|iM?SC?(KAyr0ziY!y-]bl87{~atm^eG Y9H9?*!^^_ޟ;PoG+јL,LU&ː${͚VŻIr.93@x0E&bCl/==|B 煺['γlLeք_ N0'v3t`,V]Z`T )]txp^Ou>,]0sT »; E{ Ĭ҄T2ĕ7Um6A}Q ;i{g34[LM:Ԫ7Xll g`ZC u/9lLmpb{ٚ3rN/: ?aF= irvnkdg=Mf@.6U9&w{Mis=8nƣwl4~{Y=xgE:WǪHʩ"nxr<3Y~WmS?n[Vϖ͇EQ4>$ݜ ωz5&bM"P+ Np\ػv]_gG7QHH@5EQ4)wԮ1Zsq"@%/F9rA״v1Lb2鰻fz@,*r*ݓ (jcEzяM>8D[M];Hՠ2_AAvCl"*nƸ_z?FM^71UOfd}GԼiݟ};}&Yxh{@({%?xNd_~CME S'"!+T,m: ?ҤI9*-'߷7I׾(^Lxॖe{O]7"4MQV}xα/rq=?Vrfo#>K7r1E#e@xsӱ˼]G4 pfМ7 y: w5XBဪ~h[MmmWn'GbόE0"\eǂXJcЏfի::(|重2)lTW@̊(Mh{ʖh/ŗ ҟ-5,pv6QHa'S/t<p o  za" ?Sw{G;cZԫU`is5Ekn;\) r-pM"$tVF8KI?S0)'?F3Zhj-PQշkzn:|t Ojڎm}!< ܳd>Zd"6Ķ<~[hlD;lZt4pm'Xռϫwظ") Iq[(J\N|ꙓQ|hF윞{`A~}W_{/ d1[Ac-qYgg}'\ݥ&Y"Hl9p} HB).H闿՟{?!Ź'$=zQxgx@ݴ b9G)<TpfOeոR8RP;\(Y9LFѠOԫӻ +zo3ԝk{gOFZ,ZRh\|[ bŜhxPu:1$K_zѭp^\>(jݶkƌ1$e(i$i Yߩo[:>RyTaUi̧8l z:w=ﭵX@YVHkffO%#ܜ9P#VĐ0 \ho3BTr q_,H2*5IX^^N t9vmw[ ]Rx@ݺtm(Hd]㟉  PU_(a IWҤRPQ n7?@ĢaBA5۹`zgdv#0i+ei CQ>SQLp,Zd Q Tdk;TOj<~xujI yudp>1T瀊Y58}91ho̙.1$uUlZy<x@Pj3 1\v0t {N%@%$±0\s-42uK"$݁柊qvo R>iqݏ^f'aTJQ/?qx_-]9u! ih<{->_0v)fs0ZmڻRdzZInȧ۪mC`Ohfي[[P" @ꉙ -o45ilgU1l,_-om:`C#KW뿾߾˝_wa3W:~NG9\OW1+Iو<,W=1KF9sPMA`uN*3hI/9s56W#[#5gKؿJD>#ُPχpe$4/ˁs^NKK|񘴗Iòg^s:շt\,F+v{xA2lLwt6j@e5BT"`DJhoFY D r➓T)\[/e7d}, S?*BJ)A|*"JtǮ(,K"(x@dߎIϴ];d7|f%,n>Zytie$ִ ݱ$h4Y;޵[rU 1P/dB?E]뿾V[/L5J .*ԁ_a.36@NfSwYf`u#$͇l&qywfF~Pr4Lpf>8)ydωPƤƘ 3}jF"큊hfDY99z/>ڶu`L}rPMb^*qؼ YqϿ-st%tƀ+Rˇ!^E|5SMn+D7bv8X~5 (|5pmjfʅ9h.x3C)>jk{]ӏ12A~Hlǽrr뿾߾˝_w4j=O[6ud@En2ug92ZaC]`R;8PÒ2@"~t5rאUdsn >DeEGD2x>nl 2,nuwUa._!+9a/!UˮFKG l@x>NBcԴ9̩N&>^N4|˚m-7jc"Y {trHs(Yxrmݳdpb Yy l{@ >k ,ƶ;SV8@5;@(ǦG<'qT@* B^(~Y*l3@nZZA+Y9v:i 9ȵ؈VۙRg+e{ Eٖm}\_e L 2S)>Mdx5Ph5tmi"L(; 5g.?l3g,k۽]0>@-_n"t])R/T?iy4St4<(v[w={W_~46Sz0ݝչ?;ۦ.? xx;GUT7ˡPv9wp Y Xdra{/wMKav$޽` n9/|m 4z0516vA;9½$n2MmiitsjPp_kdт7 'E6.۵ƕx>6P 'vs}?@-;/{®ܺ!R@%JBB?S;ޢvpfy {ln8'xw nx=M}2Nc.7es^j{?<ώrӸQ./YM"Z,JaG_#4m/60YњCK}@Zq4I+^A @5 YfJǧɦ B4WS4l;0ucxh #fuEJ6h5Ÿ#5Őt3]tx?^,88ްsf3S|-n?PrҋFt^Ʉy 1׽tس +Ua+fvF^q\7+TK^\M|Ry'w`iܴ,mo@o'2ΣGNcbTb/}sA9>{[E[/e7dTSTci"[% 酺ӳiMiFQr3U=,h: o/|v~[QY 7*TR-sZfhBP"[oIhԺ[p51t}tQq AUchfF Ųu_uǟ_GXx5[O=CF@A-K.b5Jf0֒2;wSLPpԪ eP E+2?#=F1tE{w<jf2l5mm~t<?!@E0" @57,]ہj4hf9qI .FB!*q#_)kCNn$8$W@h/1 W۲pLĚbyHsAP{r5'PAP" 83ljӖCgcYW Ӎ6ڷ^7D@Y uu%"ٔp^jYZd"6Zk]zۣGtB%عv dr\d?="ߟGˤt*?)y =3y7n2ޠ7_tMӰ:hZ6}sʻ?o6ػ% .H Ch$3wW-ɹJݹlDr#v^8"y6d˱q%E1R%qjE;S s%S#W+h{54\X}ҋapI @E<}Q+|ـ׌ PԸĹ/ 67 ma&Wg٥nH:5oƪՎVRt_uǟ_/p~ǟ:vGy=$$(h4˲0T|8ii7y pvTD+RpN1iG$鶮-iLpqO;G:JfֈƳ5߬g^xI2:o޿,t ]Sq d2Pp<( CRNxN 2tm  |+y7]k<])ۗTL"$.;J?=d( ]!k/e1԰PGm^@@޲xq].pY'mDlm'^. kڞҌNFٶ6~P/_j5XM]sۺo&AᚳlqemS n0J` sm0g]k@΋ԲkNG*Q&zi9p%qBs׏FT{8B!N7j%235ô"͸To$4Ŭ!*A3d6,.'/n)pS˜y0SkYݦM*e z q.\BV8F:p0LWwY5v{=0L9%@5DX=mA,`_n۲ϔʞk3,tp3E=i_rGxرs]V`Q8gN@5oTDrYfN:TPe\F|N&;=ݦ jCQ[Dt 4VjB} U}*VSv!}v ,OdxD UyP.vO9Pt9 P R7j(_~Ni!8Şa@7r2;Խ 5$i83\_Go̹kwC3] F@Um_ rmwo`]n]!d(OdqID`<tU@5G4h;7;aGi+g2'šyOok2q5 ,I+Ў8nHCp: j9>ihq$Ͽ\dy,ךBݓsȆ~K &k{.~p5٨ArGݽ!?dt7zNbr ia Ө{4ڿK@ld`gs]Vwx$@Et;@һNjBnnx&cgE!_0H۽Or :Y|~lp"Qj=wOP}V5sDQfI"7|Q˰%# ]BTBi@E+'F{р HYH^1+4!!qKU>8@52 VV8l`aj~s֞fl| =ٚ0,w @4 TD uخDrP V4ҙȊg8vgGS Ļ'ݙuC{H{A8\}u;9Z^dQ2$18/(|ɦRx {2$}sY|@7J kO pnޗr+j(@gg" @%(P3|k' Eޭy)uo9`v_vЏsAA])],P;Pa5|VGdݨ_#'eǂXh r➓$@޲xq].pY'.}'<uCԋ#N8*"Jf%Xv <g&,axMk0 {ԴvCQCŨ+W{ yE&@%nb93 {rh IfDY9ruwM8hyEɐ-=[$NK-k3VLĆXk^E"7Dkun"څzPC NJTgBHQY8ACB8 q')˰q{d37P ezRQn4t(0̈́!dWc"ֺzPA uN8v;N)PǏPUkPڭ{9e$~p ^ '#|7hYvD8JPf R3UaA%zk>'0enVCp)qj&4,D{B!L=џPEE7i837?7@0dioFY ='1t޲xq].pY'Qx@>;yW1դeM ̧jleFj4~߬'Oz]2jœmYEU9 fPdjfS?V~ !hQBh;@EHA?9n*RdߺcN֟Nc`Y9$NO;͎OnHuOǿyA qf81>V޷Lg@ew u@EWAz;YIP2Tn7g^87DW6tEQUĹ`{J? 5bT,µ\]KvhT "˽y;qd.D*‰ VXA;agj0i<]-{5f"im۟~kI" Tf[s wzw6h-$pAL@Ht9`Kat4w{PEmed)Fl6/zu!q p^\>!<wꦽ}_lATԻBrpY}B9]~ e}:*l*!o9bA<]i ɸ?òf @em { g)f\>4gg1P&d=yH&@%X|vn! Wy$`@횯2_ց zD! $s>68qeQ8vk6ֲ<]ϘRTcb^{ognfK?$l{Ҟ~RhGt[P"!=([:ԯn7g^87Tr@S>(7^@5OC}أ ҟ*b9Jϳb>'ID4 }dB{AJܴo ϐDgn_ݢ/dq y P/RSkZ`zFJ#UвWjf.$Y毵{.c.:(7w'uAM/kG?]nFO&2K*Ar)P",Rp cwmEZKi5q[KB(Ti)5A*}?&b}$Wȗo;ϟt:ĶbyvW%cij8B֍$ZF/༌7r1HbmowrT-j J!.ܘ-1}7}ߗ;44x$$nW(NB}sBJt] UAj$ 10b` pfTUi&`jT(ybZyL}P AB3dir^A&pV>@vpzmܷ` fwPEVEb=#So__~Vә"r ҤRtOSBU;<ޱMwL|jXHA]zc9UWCkn,f'?7(bׁdPí9v45=O5""d!腐ȡNcх}<;s-W; W<]&s?]l` @ N JT{NBt:I@BD8 ֔yY)!*2$m3HmVZkG#38+sZfV9u6ƇPewZ9#I(,96wK5@X&A *1[ժ= N"Zi:y@xvo*U,ךa옼a2v rmw_І?jHd ĕXOFf{Ftd7pxkK0/BnڜGc$8P릣ep8P7n!jw;vlCjvgS[ܮnx2 %5 Q;zvTO؅*M[n!8rXUоӉ h3HI)fǸ`)19Npش<:^=rm liNj݊ dZ^dQ2՗G{0=l6iOyQ}+ E|+$=z{ep W,_7FL1P/ p Q3\}?30xyB Џsg#j_)oP9 T$L3#^wfK*8_ F u*gʧؗBv:vzfTDߏY!^_C? {[G,P3hi^@Eq|?cX}˃zנ@5g-S'_fzwHhb˵n7BnlIP#T @ pVx/y2FæE(zPH"{T5 gs=SC˽m5O!%P"!5NAaݝ;@Ebt5cOUwQ4{NwG( eP@~nB}PZxBVg1ܶܺw{PMT};y S ~e/ό` K{3s׀Ơ,'9W޲xq].pY'9uLf4PjEnjY\—3+Re^S޽vmd _V;iK֔=u,U{f\8  A`*!S7^}:$@LgMՔmU^`D;SiR&EiR/~TTӐD@]?&4>E'r2 X7Yg>zNBVZ-{z37yE 4=D(T ŰZrUH$ٞ_ڱdǏ4;%F POqΫA'sL Zܴ$8hU9 j:3+KHZQ4-,˴( y@~340`RoȮ=4]β4ǴP'h9Q-=+kfFr d6 W+wر"^rg@p2-*yw~ FԵ(>ۿb~=s|RV @]K;O Q;-e:rŨ '1v_6s;DilXN确+70 {,%u+MCvi.3>'UE@ s HjORNofj]}ծ4KGyՊ<􃡴W1N4˟.Wv9i@}0[]E[JK>֓'RM~PHx籟f-ylJQ 9DE!B{fJR, i<Ȧ`)YD@P{re`@ % t~Njj# 0{*xhcKk .tw(YN8 ҦBت"m*҃ bΞ}fkt /+e5!& &];?wM .%4݇IZ*2Tn;ѲT`s#Գ4!o9;\lGu BC!{f?%QOg@M8 v6) =+֤7&@-Y@œ q-Ԝ ԘK5ORs :fddShc/njU㱼= k4*ǜQ5?-Zꅥ[(Uu Jl-;P1LE>4Q׭ 'ctZbF /Iܴ<0 R/(ɖ?JQKc_z $ ƌ@M-@3bWvʒ=\ptu/U;K9a?Ҭp|> FKK:|gx??~Ǐ?^ N:%=X.cԫt,aO32 A4eWzm^qؽ3ܙ(߁<[-0Q; aPFT8I.ueZՕw5д"/Ce{#so/֔2M Ka>Nb;1DnLAO.6͝/ZH@c/n"cy kZ嘳 3vK-Ga5{@⧅mwo¶`GCY%]A;F 8 w4Q8(>8=$$Nx&hۻSpZٸ?s_P;ۛ47lQnՁDu YZi^H nuN)/cڊƦ3|>'ts0ZCGeqya{I1Ana8@̷@TN45 ti!yk A ɺHhq|CP &Lᶾp:;t7f| 2K84,`Hya-^BK5~/f)g\{Z [k'U2f*=; hd.TKw/4 4b"RbR1]ipH3[4+'pMg+j9Nm33j"ub(B/8EngNuGSݜTQ^ aW1k{=wccW۽8"(%!TIaQa|3|U, YJ>9z+y/ l pW$fKS$/&OIpi-b%$jѕI4iF@@tjCKt˰E>[+Ԕܳy/:kC3;퇻Q9> qwl1Cg79vlrss54Epl(Ɨ~oHg/|= @/|;Zr~Y(CɇG!~OJzѱ^8 u$(jwO};F`I "GwޭipAE&j-# @-W-񣂨WNFttYLDZbsc$r)A ͔?[ge{A 1!j&o{/u`ܓ{[SiY UQɭZ1L? >Eo}~._` 룃ӎGL6c;:X_m0}Q8c^s[}M>,FuTH$QkC^Ѻ-&HӞjv2,r"%<\+zsM}_wc6'E >Jnw!qD Z< ^7255$pPM42 ~̙ݴʷUW=$x i]JE^l5n ͇7'O8\eeR?ym;hVW܋dFyG/ G4ڃ|Y Y2;e@4iG#sZt=]Ȏ5+8<{/y8P;/)Վ9 PR:\&4ג!lIeUK);E0$ %%!pSL<3U_qM & 4oYW8tsβrj$P[ssnO|WߙIU W A>Cvzz[cmToҾ__S)\iQgn6sWTAg,&^z;gڬ6ߪWO2NRzOIf,u(C?N j^Ei˅_ bɂFI.S:uY+xF#qUUKb@4*w5p*]!;0hND_m {)o<鶜𩔇$"t&4d@ޝ[lCa{B΀guF_fz|* /u#I>mMBЛ7b7\x(@ Zx1`ghG*V@M(!j5 []w&И:4WJyE$IŐ~i}_Zw uy{̥F& cGdM4ZP A;Ft1*?Izzv,Y$TN 3I:ŶۅA7|B~K{0ge΋iHDR2 U+ݨDR~_@` 1!+;KMȚH RhW;nǜDj;ǻfgl,xUs0JdZt ,:q{/_YZiy"Q &MkGyot(wU":R A"gp|C`L@ b* ߷hu3?87M ` p ԣgA̅jit0uU5nhڇ0cޙ8\U(3qpOg9y!J޻-b(N-ۄp G0z]ipNEdݣN:?QmW^)>ۋ8̖4M@t:oS"}'}GO)!Ь4佊1}dlSC73zi"]> q t}==n6H8?)(P~LĆ!PtG@'c<.5nm!-ɤ̮ ݴZ4@=ڱ3w27tGuF)w?y"= ㉔E('qaűDt 58@ȃ ޞSd%\6+}744@M8 C;Wb"L!QpjłAn WvЙZV+pB7ۧhu<&Cݤ{5hR.`6֋ezfۃ@(B*Uk@X9ZFBA!ő>G &VU8̥Hcκʇ/;[7>gy_ɭ[a#z=P,fg Y;D:窮8 qW>Io;BS 2NګU}PI 5 }_ԲRǠN]Uj+Vjak'4ûځinX;$^ԗUx#zk4l6qpQŽҍA+߿>gI` 1!s.G} ebo{f{@G$ڱ3w27M5} PŵvO |;;"yC4Ce_^*!ő:܃  sX?>WsjQ HֿP(7Ězz6B"Y]騦T؊<_F^9<\^JQǓ&Yhphz)C˞٪dG@ t-]J &@=/z6drij,_(;6]%_@ OoAG@0:,:]/4n4)n0i2b>Sk-f ?@u\Uy{BV&mM;t5DLq-{iGpLoi3YKjOFpnބ@0^'wDb;Xy/w: X2;bq[ u@]H:lfyB2 Ag.)CGd]pԄBw[vTMwv\JT!ח|}3O]#JHcJpٯ}8$Cg[ tâ3zpY^CU^дݴre+b@m؍(,,K*V2|!s>e~1Y  !*0XN:~\+yۂ]Ϟ}7`|jf/߶/R͎Py}ځjļyC yjt=3k A" aPu__sAc񇣊kpCаRâAb@òivG7JqUL3F~riX%W0$<+^zťǗ_돯_x͈.ݰ;v4HtQv.ԟ:/!PQ^F _|^7͢$yh*Haׄm`ꆠAXxٴ@0u Je o 0мev^U.hW)\;8wOþy~3>[jGwZCA'Hz6[^'!2/e]8^"]S6A؋dZ-j<] rfa{c>uI\i^Ջn]'ߛ (㮼ϿUvݿ]o M~ct>T~Xʛi{>۱l#Mo4hV0@zgKRߋxf*\xAK CYA _i/VAx3V;b5( 7Ee(?x=+6!bEf?雦k/YhZb*, ?y"EJ0Q4/{ {aR= tLށ 3.=Xploj4u)LJ]UV_#@-0-:U̳سۃ.jhV'u2jҕÊIV@MhW+D*RֽSa,l2rf;;nr1Ͷ1$NǒL"6## QV 'b7@0B ?JVZ-^47XbZ)[mx>ݯ߷oSPD'2ҫMj^__O".I6܇vD]H_E:ctB32]_OmJ':?vaNDiG#sZt=]ȮaݵFՕP]=E(@̻P]ל钰( h^CtKnl57o vz&4mVq7"O;ϝq0:]J;Q]$]6޾FI f?MmeFSi(r;2I4]{92nAP{Zb^Wk9ǣ%(NþahEQTzVd0aIrx| yz^6 "E0<[$$"bxg*t6&| ﻒBׂwZ/VA8-,ehuW V~p2{WRpUqip{*3LjOJQIN[Ǝ*wxf(tk@Wq?6i42u/~~ځfB7Zw -np"GkemԽhj׉9ss+ˢ W3{թ̬ts%p-3pа֓'ҳ"'q4$\yjI2(Z3ц̍DjEw0zྐྵajjZ&+xZؾ^w0]ow32]_O7mR:?j|0xq 1jsu5,V:@C]!HUv@̇>]Qcu\U/%]Ϩٝz1D$' Dx> ן~O~?Z?9аPm ڛ-)DSuՕ1#pɞQI )!p9/8(~* m\}b# @p ?tD`Еdz^vLK,i^2!&Y"w63e%Mzn>-1l2y'gcC_>]E'fhŠgW8ds@A<ЬDŽn.+~> Qtj"SqO_&98.@=+H麵AX []w&И1TS:1~n.d8+ˢ W3{թ̬tsNaII?q:H"K 8ز,5ZM w(Re2I׉uhړzٟWe*PS2|'gAh;sPI=_ȻD@}vȹa (@|v79 ti!g(\H/<UDSMaT>qvr3 {T_x Mqy;Ԋ5yvԩg@j3xu ݂?Ey&PywW @< p;8ܐаk4lw)tM.%Y7݇F4bzgKDb^<3Sd &,NҫeU:>4g(vz$nB qqݺi kZRTgIoL +&$Fq"5ܞ[>WI^p2J P ڡAгf)+6Wp_3obvٽs!kq;$R)4 U+ݨDR~_@Z<$Cl<8'L<7 ' Ij{U65}~1Y Aґ ꤳ~9Džw;]Ek/W0D8DG-K=; hd.TK 5;C?J !<+n|Zgu̬,ԔSX\< jOo(솨b9dʴZ/ gӻ*@Sڥ}ǎɚhh:P&G7獪bU~l/`X2U)ͥQ;L`JӐz1hャkr"''YB(Kj^g:^2&JB6F1JӜiieKܯ {yhf?~~ :ǟ_~x!o>M Nq;$R)M8lLC,iHigҸ'r%/N" 4oYW8t|PvZ&yP+"1yXyʇa7PggIM|ghU هé( jL]Ph aE^` /i?(|3b9dʴZ/uҷ(N»>(.]4lԱX!hu{PLEVǩdWe*o;5@Ʀ3|>#9>ɦj=Ԭ JjL2҇}8?)&Q~0${E~P 8W/?8Ac)%r{8Y?=f|ϥvL]-TTLVt^ cGUnPׯĈd2ɺ#sjxLg=; hd.TKw F1Y'M{\%zs(e _#L?8K:LB P^+k2oYnǺ1"_dkBwC& :p5 ¸Q vK= ]UfKːB0 #_+mT)!Ьs&m$ ^wm.rf;ri:^S:X_ض67x@ B|>+r;sӳ:f_Y[lҷ(NB>'_-bvA¬AhX1:VˣNԖ\4P-m.6V'BƦ3|>NDmwl1pɺm<,g&im^2o4Yr!j+yWΦ&O_@~AG{FR>${ En'gѴ hr"FY l"3sb1x{O"j1p֖QQI3<.\M5q$U]'%2ô 8Eraw6=<wCP%9?xl;+,x Ą-˵rGu796_qfs4E" E|8tñƱ D>ĵbZ®ȵ6r"? ]'4}.Mi1O1TG{_PGtJHt 1g6m8g.ԄOڹX+caZgu̬缪'ɴ?^M@=+PQɗ7XJ;fbmc:rOql=cKYQ$]Cu9}C=s/!0ϖ~/ Ĵxg*E@= Atp?׆x6NI q p@uK8WOHAy5;$޲,@Lw p` U+ E@p/~1$ ,mw?Ysq42MӅv:|eQ ghf-.:|UnE4PiE^=>9nl=("jȷh_t_˯޿Տ|AQwO\ I/1(=soB珯ei?o{vϏW*VE$za=syCYjp:ө1,ւ@=ivG7JqUL3F.W\<+^zex^n>mn͇%ڥ}ǎɚo ^Pm8E3PYBae"҃uUf@=%N" 4oYW8t|wLq=ss)Q<,<Áۋy/P~ tjI,~2{"uK\!j6-zz K kɮo[ttS`A+_83ZWwr?;zy,*E58Py@Z-0Q 6s^ql~pR)  p'q֥N @"? &w!ݷ3^jrÛ@mKV;$N>ɴZdx|\{)wn\CQ iwP\P!ct>T~XipT'kP۠YE_,NV=LZ1̂=+)qz\`6I4 ͜'-u9{sI ^>KlIr?4G;Ժ!#K__{N)!j^'NϢi< cBb8V. yU;"'˃" Z޵ =9_ߥHAqZ@x_\56Il- ba>{2㴃pٹP9.RB[%]t6KÝwڄh5!j,NҫeU:;vݷ*\E"r0Pa0\WcRj֠(r&"u)аO•w|B޻hۛ,rz˲-+4Tgbp|(L_iCJؿFbrpd3F߹z)] ;npP~ jk&0h[4wI ɛ呹C |VI䳏ԩpTM5k0 ̟K17?FeJMHω<ä,۳b1M<j*l~]ƀlM76?TT—$y6gc`0u4~E6H-Xj؈&puQY0:bnw̚Nrj=;l8al=cKY ڀzܴ"`HZȯy{IH,4SL<3Uqzw8AEKyN;9@N 3I:Oa-"xh6 9<vz||qTw!@-dn߿}Q5y?4֎QPhc1(bmtd5vSYII!=bPpUL8giSP9yᧅٶRS)~]|O{^ Q2 /pyfKàujn0C|)#I>{wKm^âH!(yݺRp`/Ϳ<>$8 {vQOѳ FBz,uU.rպa6S5/c2Cq1]SVZuK* @]>\T]SNyC fvkޠ PGW-04m+]{4*ǜQ5jA xiZX$v'@ i,lEhD?o)7.^~,z ^DkPvYVW kd+)}K¿a* PӏR| yn=y"y9/¾Ӳh3ZWw)=|WSuS9:@ 98ݲ.]-ݞ///K PO"]KvG˥+B1I<gvesD?3 M_i6x>m74-{I<'-uT^65h@Ll ײ ,;PūΌI;^mS a fnzhv d8r2̢ aIk&;{_t2( I~S]nRzBx:_LsdA߻=n֍{_~T3>wt)C=gQ*7Z59aNjrC &`H<[$$n&'&@-@IzUٺJφƩ0>ktb pG~ ig)Mz.E+i:"}䉴 `LiIQn@myϝtOc_V6eeM6b"X;#{>s&ݾ&`c* 7K$@-:Y4  [/l[j*oBɬGc}^ 1!jɩk.ݰ;v4HD K kɚjFt1*?Izzv,Yڥlv.ԟ:/tGᢊ{WϿ f9'O %fp{`U o1wk Y#͢ґ ꤳ~9Džoq5Hբ&`RGoh~AMU;]554B( Ƒ;h@ @=>T}{c^oo+NXG4l1m"F!)!O!yiW^No=j<b N N}CL(4뻃".8IahC-l]EVJHZp|#Bn_ӫo~:ѷ<նßPG'İaSrU6sK0r6-@N ӼFh8:WEyȲ (ЪDS2Y5Q1At.7;aۚ1Yp'uM;Qj7I9ӌudn)-?JW?w6EW?헗znG돣{3,>ڬ(P+vcȐ B;L`JӐuv?.;POS#Up!1ǝF, g#I>;}dׄ@8:r4 /q;v]W Pl%@]oh޲\;I*q4[WX`aiG-7OGQ<,<"BsӒAaZ ɳM1SWv2XY=}G 8-Ce$ W ;?'es@M\޻Bԃ[%p wU*jVԱmXYD&MD 'Jwپ/2Y<=&uNb.WQ9zW/ UϤ!m>h(Wve*2xf!<@-8аwSSHI! /8S [@mku. r{FQwm(ijY"0G>f vF4)jr~ί )x߭%,{<"1hq=ݾE1+cyAz6nuueAM@kw{,z(z b1;xσ Y?*n*z{ǹzC;P=Z[P[uDb[(ln"Rh5!Ь0мev^U.hѾ E"&H=^gs}vmuZ(O{_4 NMzK{:]ģhhn N⨺Rw+ofb<&hSGuUԄii= j?U]&EH0/`6jw}C;XW:?jI7'O_ \ʦaqpl]EDNDV'GujFYF"znkdeҞlՒڣYtBa"}'#='m vi:ܞD@QTAz|xnzL 8c^SYaj12s t_-Jo)s6ש`lhJ{K+C\1SrV +PQz|4ep_ϻ{%aQU{:X+me jt5Sګi+'J_4 @MnOI!Ь/$%n&tMZ-˵rGu;:BsаoJÇ*wiy>Zg^xZQarẃ #CXtâ Y3NCe&USKbԳ8AtMW]8Z:=b:,$*Vʊ 3ضp@d<zO+f+p@ [NF15ir{aψxrAZ0h^Ӛۚ *2 $urs9Je7d> d/ojAf8te6U*g&ݿ}!f6Tun,YyMBzii_~k&vzJ4Kޫ_RS'3nMc"6X@vm]MԢ+el,o4͙f,\92uClI~|y/..g^P~˻ </ަ#Gp ׄ97r,4l^6-,vUB[B9Kh޲\;I*q4[W0A[KQ<,M_-Sҕj{ۚP) ϧdD-Dg>@t Uw0En=4"WI?̥<%^'Uټ TR.6i2bSU3G wm;8X*n_^)SłOQޭ(Y]7RX#g={ag=uUV1H!:P4t05׉gT 2QSTrp)PȻ-]EVGN1!PgQAOԓ}#ɦm?lpϼ{%GrCwti]yXxE8LF\Jkp80=2ϋp7RP_l/8vOu3TUk1ayr$\l]cyPZS]a N>o7ea XᴈX೒0(P QQL@m(^D݉vYY?)t&Bt^߶QZ׭yq@LJ{4*ǜQ5tJIrŎ)Dom ɮ$M)Ȓ,x^z+qXHQKy"-zgORkF|xڈ- â̩yU;W0k[W2Mf:g_4f}#Pe İAϖzaa-"1TEyji$= =X;-vt {5jlVܾ> gZ4fLp$'-Sqс B Q4-,&i8If(2O;ijAf8tJ;"XLcm8=HOwZI8q?tyP,NfWY9Le@][R05aa_^ꅥ[d1E;W-O S5/jY=oTM#g{~kǒ P}[f~VIN!M؞'elL:Vk2Cq1]hҴHa @:Y4q$*VnڕXehL751]s[._<S! ԰jckA- P[ >]`5 tg鶵nk%!Ьs~@mDɱ* A-=N>l}]%hkW4;鷗޿?_b?y,4P-m._&k:ya,&)I 'stsǕI BXɹ-;$Nj/ !j]rj"};ȻC9GOY>{fr ྭѲZ٬H/yH#=ey ]fsbԓ2 ˑ.L[Co=,&AԳ;:۝,zzBFπ$y}BUhAԃ~t I%7Q*<6i]j8^Ō1&|{v~=܌$ω@ KF:?3#Py&K,bwӇ@=[{ԁ1B넰^c>&7~NG|3aQf2"j{@5&w'LE^I׭'O_^~0 KxTJ< I+^(gUs%][ @^ B<׉uh#{t2H9)SUErN#&r{j: $@M+{'#YslKQ8 96`M\e؁ Nm?UtzvWZ7%q#koC{  UWa1!xsA/V--ZD۲^U'u>s?+}lZY*-G<4v YQI#@=[kRtfOr.yabа/Z )ȯy{IH, SL<3UOpͬ84L+=(z/+" 4oYW8t,6%5榩iޏ??WE^XuwC48 N nbEDUM8[-6&nZa3Q۟@s'e[jƼ*eEct+jle8Q}5똊 BeRԤNӟEӞԕ$*VU~1Y RuY_m;ϦK{0ge΋)}Y4*n_^)? 0{w!h}CPY]iՕC: 2lvoM~?J<!4+ԔmvOhz 66~jgv3phě,b y@ _N1(Gv{0Rg]iUD9-!YXM۹"pu,Zl6AfoIDQZf dzD5UdnՒzZĶ;S G6KDnFM-15Pam?]fil|h~%+I׉uh#XZ-0Q˱"u%( uKO_pL2QTh&]3(W(C?J2L@91Ь(+ðmqhh<7P=(^㺵GDbgKt˰q4EME 2jI|U, Yps @v(MuՃżԵ 8_^K#yȮ3} @ڣa"GqN2y" nn PlVu_˯޿Տ|L?V{:2A&2PAw4Tm )3HZ ԅK@Mdv|Ag\pYҌk(h ^/N4ٞ@pяWhϴ~obK8Q7VIҳ=Ѓc Kn\f3O מ:LӖh_ɬ L:Y4 0p `)L`J𲵗PSXi@0ьm7$Ļ}6'H W6p1;7YZGd&3HV 2ՁS0Rg]iUٗY};HUeA` 7{KvS! ER duJ1 M| 0/>(ql4gA̅jit!뚭lij۶GD `VN]s@\;nUНvXjqtq;Q!\5prOlD?_paN 3I:m[ao]O8 qqh jS>֦۫br$+BYo+T(8袈c8 q:Dqj 'o.|;;OBY_Ƴ|o{U0L&6aNs k`A85n|]v)4%P48ή}XW-=(ӕͭQh|U-SQ_rIP4tl >}p=6$/Yyh@j^d@] {m2Mq@Îo"yM;mAC&(8VKb N$ @vj ,]wUUUx:|`voM~?JÛ7@9kin@9`N?XHv=LY bWs?\8mKNӟE{ALm!Q~0$%ScU_I c p,8K%ئ]o/6lW/y1oCmc;{aX|8)RE!E@]K g3Ukc6Lf@< @-zaa-VzJ -4' {@M"?p לhCwo]e!PBhp1;7Y؂Sxrȧ࿋R:?=z/&+7A" DY|6pU@^̣>M< Nq 5@ oUD(儠 )S- GuNQɦ}}õN4Ӵ%4!jiҶ p ȴj7c%A3a$.oAukןI>F%eFw;\iUd(Tr[$ L݇|vӒnZl.9;?y| K km;QX~IF|hBY#;w8jrK4ASi_sQ׬x4=]`5 ,lZY*]B-= qq$;KC60 %+$(FqWuE#6K__{b8߿zOؿ=iPlZXu,`FvjZR;ЇtQKwn:6%}8 ڻY;?@=zQ$xV@" C<*"c9`QǨ憚t|Luݷ=@SâSxS'r@Y}Qz*\tz<գHMdgwv)tcܳIjq2,ߕU?TWN'uVL~wORԤE_J#I>@N%=;Vr4HӇ۲gn_aO4ieѣ"'Ro/_`:\?H4Ł7s* WC=MT-z*+]i.WQ9zW/ <&@-/jGd㡣PY?L"igΌq5 ,߹ŘQq׷%ߧE8LQ5 D[ˎv;H:U̳سۃ.3>!/-ZDI1ϖS/HB?0IY6>#;zja4|e vdk$p_CI~=̳KBSL<3Uo'=ymSi۹v6w[b KdׄbMV.-mw+1K7,$ڴYD&M8 +%;lEQ|YKO/h\d.WQ9zW/x䮲f<\Cg{e*2xf̡} Dw8UJ*Բ74P-m.. h>\g +׾kDbX2TA -uv.jǓU @"mN񮐡J)D@tx,{ϼZڶfd0hQg]v4i6Y6ͷ̏}D/Q28MZV{Ҫf~81o{Wx@wT AE߱A&l_ʦY(5ƛӜiwK%yW R 8/7Ώ?{?6y:^_^l~[Ş!]\UYoA!—A޲Plg'V+1CxPAXxٴTuU J|@þ%`jB|)mOp +ψ"NL@=x|OuVIޣFnFlF"Hĉ}ؘw6Ǩ@=κ$f@=nȱ<-}CnڻoC#]M(ފ4vv@èçJW*y=5c2pioޫhѬu\@M55Me;ZR{4#0|.(4yNA984JUf#=n &h4g4| vs :ĉcBy{`ACUpo' UdT(nd4:\s$7`Xd +׾kDvjIqD0ZgҌk(h ljN`48vO 'Y8+ʶ /:S{љ^_n)'Z_CI~=̳KB"ԢSL<3Uyqǵ,NҫeU:ڒ*}ȁ&2L!Op; ~WN2vP*EQI 'PkFݴnZQyx K뤣x,Yi[RW VIY?4z馢(|15˨ Uvoc{nu?4VviG#sZt=]lk FL=]`5QaԣKZ"Rp aew"5䎮8N3;ZpΩ ZtЅ+$CPSZ]tD w@~{/?~k~xhSB1ϿP:ՂpT'v`:Ȧ΀ d$vH^:`YIJ!J&A __4ձKQٳ;jMC 4bYg1X0^§xu%GcrYUәYqiq/"M 2o483|uG*š }#ɦ=t\NpԈWFtڥ}ǎɚh@ 9tǦn)rUH$ٞ_ڱd9l+3=?^X:^L4z.kko;yhp[Cfe56ĝf(FLY=.^ d.WQ9zq?>%8m5V. JVx++VQ-3XfjQ'~n< pϘSpiak5"1ݽ1pbh|5AaZ &"=;xDu~1XV~6'V|Hc9mf(ҵ,NҫeU:Q.wwu[Q3ļ{ńML,Ii㠈l: ,'[[Bw Bfv +otޥP;vjY  ă鞥";)2-"Pܬm&K!:?m ׈_G q*,]46v|D7-)?(|ypmj'y{a qW7쀺_=!а*UVp9Db8аSe8^XX{n+rtâ Y-t*A45z-#YT B;P{haVkL P4-fkwdyWi4caOkLU.s/cBX^z,++VQ-3XfXܞl2h:{}h:x ݴY0ʵ1jqB8%G|6H-Xj؈&p@A/OK} Bd.ІIer4'2' yY "a-^J~/f♩H׭'O\7cΣ,^J'Y0QZ-) 4oYW8t,Ew8xTñ>ab"0!x>iݴLq:[UO52QaBA|3Vt.*OY_vl,taxm\Z݃?Ȱه(Z5aaP7!I!jZy >O S5/jY=oTM#g{~kǒ|H@L{8Y?=K8$*V 90]ڃ?++u^LC"1,!h.WQ9zW/Az,|N7 5MMjr48kF4tâ Yo2"5-?l}]ԕ?z(K ;鷗޿?_S};`,Q{[@A* uP=Ӂđ$?;!fuvr6:Vhܳ0M[ǧ A[*'ҳi-yR?*iX d9SĆkSL<3UP 6b;Afi Y2PO! Mh')/P.XuBz8[l_훲}j>Nːp:G+/CdOMfM hcXs^uz¢{jlD 6G=q6@e/V7,n9Mr[B={,tiy1poiދ>hm:7D@ Ǚ(jPD s=;ZPo 8|;KU)=:%W-wa/VA8-,%Kg-  |2 n7lO&3)ƃI`sY!/׭'OEosiE*j{G|w_sy~pZ m!gA̅jitq/8HM$,=S˵^4KRhNg{1KU̓a/M~0D)f{[Ew9n=dS5iIG Փty59L8ڑ;`M_vrV(?}dhhhwͶL,\[R.y4$N"'~>nl /<5>5^ . )j/xM5/}ݴؾ{j[ es#mq'E &|yx(eeN_fL>Btâ Y JwhFt1*?Izzv,)M;JuE[ Pײq6ʍ_"rGH vP?JX5(G7(<< @-ym2@%@=:CT%q5Hբ!qA(\TqtrJ^>DŽY%P[F܇JHM+c"TNj (>sir8'!jl^vw,ʆPs {J :7qQq$gG7og% W*@=!#P <|4kc΂̊&|v ser{^tH4ng`3TpyFmqdmVAY> iM &.6|4ɤi0: -' ]v/'JIkl=cKYa]q7R@@pEzgKb^<3SW&s3/wlu:闆W-S$XᴈX3:5gƋO**Ӏ->TVUn{pq$g|r׿V $&SQ<,<Dy%]q-{i1PаE:ctB32]_OD\JHnyA"nfP A͒c+҃bMl{U.%C@4h^:z*= joappfܵ±W2KhVg\m bhhY+E~2M)H%u,@=wt:Օ(Le V3>8_oP 4ZHtjוdz^vLHkhQQ׭AapG ):~vL7Y: Dbh> Qϲ}/HB?jr}Þ( CS. i5|箆fjDtMٹjGa:7ˬ a @U\\ZV{9Nm3 ] q.!E:ctB32]_OWPn9h@]ڽ7dD 1!zWwwQ$Y^%3@Mxx> z뿿_['2 in"-V>~b;Rd i6Ԅ&@@NrˣŃ-ƮoZw"ZhޝOTNUm/bWh Qo .8&q A*!({`x/ =rǠ T; p\Rْ`8Š̻HmyDON#PB"`H<[$^<3Sj-&,NҫeU:>5r?]6tC~ ig)j`U |UKǞq42MvmVj_^Zm#KzYI{Kt**L7X˷2#2PLp^L~8bײҺaE^LNv&Ơq@L@L#' CO>C@Mܷ@̻,ԃ~eW.PIovzۂć5,$ͬ " 0siY<$NeR {|{͟2 h޼!Tsg?I:ҥG&2@(z\$t2ss&b"N{1t]:yjVw 'q~\QaڐdbS9- hf:q/W;#ubWw8BCͰybаy"UMީqԍmz8;vnx)Ѐ'7Y&${[]>3F>u"TD,L~h `ay@fi-OB admin, Author at balconypress - Page 2 of 6 admin, Author at balconypress - Page 2 of 6

ORDER ONLINE OR CALL BALCONY PRESS DIRECT @ 626.460.8339

sacred-spaces

Sacred Spaces

$59.95

Setting out to record Los Angeles’ unheralded religious history, photographer Robert Berger visited over 300 historic houses of worship over the course of three and a half years. Lively text by noted architectural historian Alfred Willis makes the buildings come alive.

Robert Berger

Robert Berger has been photographing architecture and interior design for the past 18 years. Assignments for clients ranging from furniture and lighting manufacturers to residential, hospitality, and casino designers have taken him around the world. His images have been published in various books and periodicals and have been exhibited around the country. His previous book, “The Last Remaining Seats: Movie Palaces of Tinseltown,” done in conjunction with his former business partner Anne Conser, is now in its fourth printing. Limited edition prints of the images in Sacred Spaces are available from Berger/Conser Photography in Santa Monica.

Description

Setting out in to record Los Angeles’ unheralded religious history, photographer Robert Berger had no idea he would visit over 300 historic houses of worship over the course of nearly four years. Wandering through neighborhoods that seemed as foreign as distant lands, looking for steeples, crosses and domes vaulting towards the sky, he began to appreciate the vast metropolis, its wide range of ethnicities, and its constantly changing landscape. Mostly unknown to anyone but their congregations, many of these historic buildings are threatened by neglect. In some cases he found well preserved gilded reredos an Della Robbia statues while in others animal carcasses and pigeon droppings. The wide variety of sacred buildings include works by such well-known architects as Rudolph Schindler and Wallace Neff, modest neighborhood parishes by unknown designers, and opulent fantasias created by movie-studio art directors.

Lively text by noted architectural historian Alfred Willis reawakens the colorful history of these buildings with tales of celebrity weddings and the mysterious disappearance of evangelist Aimée Semple McPherson. The oldest synagogue west of Chicago was later converted to a Welsh Presbyterian church whose choir performed in �?How Green Was My Valley’.

SACRED SPACES is a journey into a little-known but glorious set of buildings that will enlarge the reader’s appreciation for how much beautiful architecture remains hidden, and in some cases endangered, in America’s second largest city.

poly-100-polytechnic-school-centennial

Poly 100 Polytechnic School Centennial

Reviews

There are no reviews yet.

Be the first to review “Poly 100 Polytechnic School Centennial”

Your email address will not be published.

1 2 3 4 5

paris-women-bicycles

Paris: Women & Bicycles

$45.00

For nearly three years, Gil Garcetti, has been photographing women riding bicycles in Paris. Women of all ages, smartly dressed, use bicycles to get to work, to visit friends, to go shopping, go to the movies or the opera, and even to funerals. The weather is never an impediment–these women ride in the snow, the rain and the heat. With evocative urban imagery and lush color, this book will inspire readers to leave their cars for their bikes wherever they may need to go—with Parisian flair.

Gil Garcetti

Gil’s lifelong love for photography began with his first camera, a gift on his thirteenth birthday from his father, who was a barber in South Los Angeles. Through his photographs, Gil discovered he could share his unique vision of the world, finding beauty in the overlooked, as well as the grand. In addition to his photography, Gil became chairman of the California Science Center Foundation in 2019. He is a producer of the hit CBS series, ALL RISE, having been a producer of the TV series THE CLOSER and MAJOR CRIMES. Gil is a frequent speaker on subjects he photographs and on social change; he is a leader in the effort to eliminate the death penalty in California. He was a teaching Fellow at the Harvard University Kennedy School and President of the LA City Ethics Commission.

Description

For nearly three years, Gil Garcetti, has been photographing women riding bicycles in Paris. Women of all ages, smartly dressed, use bicycles to get to work, to visit friends, to go shopping, go to the movies or the opera, and even to funerals. The weather is never an impediment–these women ride in the snow, the rain and the heat. With evocative urban imagery and lush color, this book will inspire readers to leave their cars for their bikes wherever they may need to go—with Parisian flair. This book is one component of a community bicycling initiative in Southern California.

performative-skyscraper-tall-building

Performative Skyscraper: Tall Building Design Now

$45.00

“PERFORMATIVE SKYSCRAPER: TALL BUILDING DESIGN NOW examines current trends in high-rise design and the technologies that are shaping the new forms. Scott Johnson, a well-known architect of tall buildings, describes how the combination of highly sophisticated modeling software and demands for ever increasing environmental sustainability have led to an overwhelming emphasis on high-performance. Johnson takes the reader through examples of high-performance window-walls, state-of-the-art parametric modeling for super-tall structures, and the current state of vertical mixed-use towers.”

Categories: ,

Scott Johnson

Scott Johnson is the Design Partner at Johnson Fain, an international architecture, planning and interior design firm based in Los Angeles. A prolific designer of residential, institutional and commercial buildings, a number of his best-known designs are widely published and have become landmarks. Current work includes the American Indian Cultural Center and Museum in Oklahoma City; a renovation of Philip Johnson’s Chrystal Cathedral in Garden Grove; The Great Wall Winery Hotel and Visitor Center in China, as well as multiple residential towers and mixed-use projects throughout Los Angeles.

Description

“PERFORMATIVE SKYSCRAPER: TALL BUILDING DESIGN NOW examines current trends in high-rise design and the technologies that are shaping the new forms. Scott Johnson, a well-known architect of tall buildings, describes how the combination of highly sophisticated modeling software and demands for ever increasing environmental sustainability have led to an overwhelming emphasis on high-performance. Johnson takes the reader through examples of high-performance window-walls, state-of-the-art parametric modeling for super-tall structures, and the current state of vertical mixed-use towers.”

Technologies and practices that allow the construction of seemingly limitless forms are turning our cities into futuristic landscapes. But the forms are far from an architect’s whim. PERFORMATIVE SKYSCRAPER examines the creation of these new forms and explains how buildings can now respond intelligently to climate, optimize the use of structural materials and more sensitively reflect their cultural sources. Scott Johnson, a prolific architect well-known for tall buildings, describes how the combination of highly sophisticated software and demands for ever increasing environmental sustainability have led to an overwhelming emphasis on high-performance. Appealing to our cultural attraction to science and enabled by our ability to measure all things, designers, clients and their teams come together as never before to create performative skyscrapers. Johnson takes the reader through examples of high-performance window walls, state-of-the-art parametric modeling for super-tall structures, and the current state of vertical mixed-use towers. The final chapter looks at conditions in seven diverse world capitals to explore the urban context as a factor in how well these marvels of architecture and engineering perform. PERFORMATIVE SKYSCRAPER captures the breadth and immediacy of tall building design now.

photographing-architecture-and-interiors

Photographing Architecture and Interiors

$39.95

Photographing Architecture and Interiors is Shulman’s first book and he still considers it his most genuine reflection on the profession and his own artistic philosophy. Originally published in 1962, it includes a forward by Richard Neutra. Frank Lloyd Wright once said that to his mind no better photos had been taken of Taliesin West than those of Julius Shulman. Now reprinted intact with a new foreword by Julius Shulman and digitally scanned reproductions from original prints, this new edition of a classic work is better than the original.

Out of stock

Julius Shulman

Julius Shulman was an American architectural photographer best known for his photograph “Case Study House #22, Los Angeles, 1960. Pierre Koenig, Architect.” The house is also known as the Stahl House. Shulman’s photography spread California Mid-century modern around the world.

Description

Photographing Architecture and Interiors is Shulman’s first book and he still considers it his most genuine reflection on the profession and his own artistic philosophy. Originally published in 1962, it includes a forward by Richard Neutra. Frank Lloyd Wright once said that to his mind no better photos had been taken of Taliesin West than those of Julius Shulman. Now reprinted intact with a new foreword by Julius Shulman and digitally scanned reproductions from original prints, this new edition of a classic work is better than the original.

nell-brooker-mayhew-paintings-on-paper-grouped

Nell Brooker Mayhew: Paintings on Paper

Nell Brooker Mayhew: Paintings on Paper, the first monograph of her work, features new research as well as numerous color images taken directly from the original paintings. Mayhew brought a bold and bright new spirit to the Southern California art scene at the turn of the nineteenth century.

Alissa Anderson

Specializing in 19th Century European and American art, Alissa Anderson has developed a special knowledge of California art. As an art historian she conducted a rediscovery with thorough research producing the first-ever published Encyclopedia of Women Artist of the California Central Coast.

Description

Nell Brooker Mayhew was a pioneering woman artist whose work broke the bounds of social and artistic convention at the turn of the nineteenth century. She brought a bold and bright new spirit to the Southern California art scene. With color and energy as her tools, Mayhew quickly established herself as a noteworthy artist, speaker and teacher among a freethinking Los Angeles art crowd. During her lifetime, she was widely exhibited and well-respected. Mayhew’s legacy has been unjustly neglected, until now.

This first monograph of her work features numerous color images taken directly from the original paintings and brings together previously dispersed research.

moody-nolan-design

Moody Nolan Design

$75.00

Moody-Nolan’s work responds naturally to site and programmatic requirements, but the complex themes of transparency, layering and massing evoke a responses in the visitor that ensure their work will stand the test of time. Moody Nolan Design presents Moody-Nolan’s complete oeuvre revealing core values in architectural forms. A thorough compendium of the work of one of the country’s leading African-American architects.

Categories: ,

Curtis Moody

More than 35 years ago, Curt Moody decided to start an architecture firm. Driven by a passion to break into a field with little minority representation, he took a considerable risk and opened the doors of Moody and Associates in 1982 — in the midst of a depressed economy. At the beginning, the firm was just Curt and a graduate architecture student. But by the end of the first year, the firm had grown to nine staff members, eight of whom are still with the firm today. Sensing an opportunity to position the firm for growth, Curt joined forces with the engineering firm Howard E. Nolan & Associates, and Moody Nolan was born.

Description

Moody-Nolan’s work responds naturally to site and programmatic requirements, but the complex themes of transparency, layering and massing evoke a responses in the visitor that ensure their work will stand the test of time. Moody Nolan Design presents Moody-Nolan’s complete oeuvre revealing core values in architectural forms. A thorough compendium of the work of one of the country’s leading African-American architects.

Mastery in architecture comes only after years of experience. An architect’s career path typically starts with a number of small projects which allow the fledgling designer to hone the formal, technical skills of the profession. Then a series of larger projects follow in which the architect learns how materials actually look in the sun and in overcast skies, what scale is most pleasingly experienced, and where contextual design adds value in the cityscape. Curtis Moody founded the firm Moody Nolan more than 30 years ago in an old house in a transitional neighborhood of Columbus, Ohio. There were few amenities at his disposal, and the home’s bathtub served as an ad-hoc drawing file. As one of a very few black architects, Moody effectively broke race barriers and has risen to become nationally recognized as a premier designer of public, private and institutional buildings.

Moody’s career has been that of an entrepreneur, not an academic. As a designer with artistic ambition he might have had an easier time teaching, while keeping a boutique firm on the side that designed an avant-garde house or two. But Moody is an organization builder by temperament. He has chosen perhaps the most difficult route in architecture — the vertical ascent. Office buildings, affordable housing, residential towers, university buildings, sports facilities, health care and retail — few architects have this range of work to their name. In those years, the firm has opened eight offices in six states and the District of Columbia and has designed projects in more than 40 states. From a small local firm fighting to survive to one that is now a national pace setter, Moody Nolan’s primary mission has been to create functional yet iconic design statements that respond to ever evolving space, aesthetics and site dynamics. With entrepreneurial persistence and an outsized talent, Moody Nolan has mastered a consistent design ethos centered on human values as a mode of inquiry.

miami-modern-metropolis

Miami Modern Metropolis

Miami at mid-century was simultaneously an escape from post-World War II Middle America and one of its most characteristic places. It was a rapidly growing metropolis in its own right, one whose story parallels many others. But unlike others, it was crucially shaped by the desires—real, imagined or artificially induced—of people from out of town. Miami was one of the few places where the nation’s fantasies were played out on a grand scale. Miami modernism was characterized by spare international-style structure appliquéd with thematic decorative elements often inventive and frequently flamboyant. Morris Lapidus is reputed to have said of his famous outrageous hotels, “no place like home.”

Description

Miami at mid-century was simultaneously an escape from post-World War II Middle America and one of its most characteristic places. It was a rapidly growing metropolis in its own right, one whose story parallels many others. But unlike others, it was crucially shaped by the desires—real, imagined or artificially induced—of people from out of town. Miami was one of the few places where the nation’s fantasies were played out on a grand scale. Miami modernism was characterized by spare international-style structure appliquéd with thematic decorative elements often inventive and frequently flamboyant. Morris Lapidus is reputed to have said of his famous outrageous hotels, “no place like home.”

Covering a range of architectural topics including hotels, retail, aerospace and residential, Miami Modern Metropolis is at once thoroughly researched and entertaining. It is a long-overdue look at one of the country’s most distinctive urban confections.

merhdad-yazdani

Merhdad Yazdani

$29.95

Mehrdad Yazdani, the first monograph of his work, presents a collection of 25 projects, large and small, built and unbuilt, illustrate Yazdani’s responsiveness to issues of public engagement, program complexity, and site context.

Categories: ,

Joseph Giovannini

A Pulitzer nominee in criticism who trained in architecture at Harvard, Joseph Giovannini has led a career that has spanned three decades and two coasts. He has served as the architecture critic for New York Magazine and the Los Angeles Herald Examiner, and was long a staff writer on design and architecture for The New York Times. On a contractual or freelance basis, he has contributed to many other publications, including The New Yorker, Architectural Record, Architectural Digest, Art in America, Art Forum, Architecture Magazine, Architect Magazine, Industrial Design Magazine, and Interior Design. A prominent figure in American architecture, he has been an activist critic with a record of discovering emerging talent for major mainstream publications and professional journals.

Description

Architect Mehrdad Yazdani has won the respect of critics and clients alike for his imaginative approach to the design of commercial and civic buildings. Mehrdad Yazdani, the first monograph of his work, presents a collection of 25 projects, large and small, built and unbuilt, that illustrate Yazdani’s responsiveness to issues of public engagement, program complexity, and site context.

In the book’s highly engaging text, architect and noted critic Joseph Giovannini explores the role that drawing and painting have played in guiding and inspiring the work of the Iranian-born and Texas-educated Yazdani.

light-and-illusion-the-hollywood-portraits-of-ray-jones

Light and Illusion: The Hollywood Portraits of Ray Jones

$24.95

Light and Illusion is the story of Ray Jones, the first still photographer to win an Academy Award as head of Universal Studio’s still photography department during the Golden Age of Hollywood from the 1920s to the 1950s. Lavishly illustrated with vintage star portraits, this book celebrates his work and describes the role studio photographers played in the growth of the Hollywood mystique.

Tom Zimmerman

Tom Zimmerman is a native of Los Angeles whose photographs are in the permanent collections of the United States Library of Congress, National Trust for Historic Preservation, California State Library, Los Angeles Cultural Affairs Department, Los Angeles Public Library, Los Angeles Conservancy, Brooklyn Museum, Motion Picture and Television Photo Archive, and Fortress of Peter and Paul in St. Petersburg, Russia. He has taken historic recordation photos of the Ambassador Hotel, Olympic Swim Stadium, Tom Gilmore’s Old Bank District in Los Angeles, Santa Fe Repair Yards in San Bernardino, State Armory in Santa Barbara, the last orange packing plant in Irvine, and hundreds of others. He is the author of the Angel City Press books Paradise Promoted: The Booster Campaign that Created Los Angeles 1870-1930, Downtown in Detail and Spectacular Illumination.

Description

Light and Illusion is the story of Ray Jones, the first still photographer to win an Academy Award as head of Universal Studio’s still photography department during the Golden Age of Hollywood from the 1920s to the 1950s. Lavishly illustrated with vintage star portraits, this book celebrates his work and describes the role studio photographers played in the growth of the Hollywood mystique.

Over 100 striking vintage portraits and informative text tell the story of Ray Jones, the head of Universal Studios’ stills department through Hollywood’s Golden Era.

812 Fremont, Suite 205, South Pasadena, CA 91030 626.460.8339 contact@balconypress.com
Orders can be placed online or by calling Balcony Press directly.